Norris, David Owen (2007) Elgar's pianistic iconoclasm.
Record type:
Music Item
Abstract
The researcher plays a number of examples showing particular features of Elgar’s piano notation. He explains that the way Elgar’s pianism developed means that these particularities can be easily misunderstood by conventionally-trained pianists. He suggests that Elgar’s pianism foreshadows Stravinsky’s habits of piano-writing, and that Elgar’s pianistic iconoclasm made him a modernist.
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Published date: 14 December 2007
Additional Information:
An exploration of the subtlety of Elgar's piano writing, with particular reference to unexpected aspects of articulation and phrasing. Presented on the PRIMO website as an audio recording.
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Keywords:
Elgar, English Music
Identifiers
Local EPrints ID: 184799
URI: http://eprints.soton.ac.uk/id/eprint/184799
PURE UUID: c46a7570-5c41-42bc-8034-69374573cca3
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Date deposited: 09 May 2011 09:19
Last modified: 06 Apr 2022 01:36
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