The University of Southampton
University of Southampton Institutional Repository

Elgar's pianistic iconoclasm

Record type: Music Item

The researcher plays a number of examples showing particular features of Elgar’s piano notation. He explains that the way Elgar’s pianism developed means that these particularities can be easily misunderstood by conventionally-trained pianists. He suggests that Elgar’s pianism foreshadows Stravinsky’s habits of piano-writing, and that Elgar’s pianistic iconoclasm made him a modernist.

Full text not available from this repository.

Citation

Norris, David Owen (2007) Elgar's pianistic iconoclasm

More information

Published date: 14 December 2007
Additional Information: An exploration of the subtlety of Elgar's piano writing, with particular reference to unexpected aspects of articulation and phrasing. Presented on the PRIMO website as an audio recording.

Identifiers

Local EPrints ID: 184799
URI: http://eprints.soton.ac.uk/id/eprint/184799
PURE UUID: c46a7570-5c41-42bc-8034-69374573cca3
ORCID for David Owen Norris: ORCID iD orcid.org/0000-0001-6047-3529

Catalogue record

Date deposited: 09 May 2011 09:19
Last modified: 18 Jul 2017 11:50

Export record

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×