The University of Southampton
University of Southampton Institutional Repository

Designing Antiquity: Owen Jones, ancient Egypt and the Crystal Palace

Designing Antiquity: Owen Jones, ancient Egypt and the Crystal Palace
Designing Antiquity: Owen Jones, ancient Egypt and the Crystal Palace
In the 19th century, designers became involved in the public presentation of the past, focusing specifically on the decoration of historical monuments. By exploring ornamental designs and the way they represented the cultural concerns of distant civilizations, and in addressing how color may have originally been applied to exteriors and interiors, designers animated the past and incited a new passion for the ancient world.

A crucial figure in this movement was the designer and architect Owen Jones (1809–1874), who from the 1830s until his death pioneered the study of ancient ornament and its central role in historical traditions of art. Particularly significant were the series of Fine Arts Courts that Jones designed in 1854 for the Crystal Palace's relocation to Sydenham. The ten displays on the great cultures of the ancient world featured detailed re-creations of palaces and courts. Designing Antiquity focuses on Jones's Egyptian Court, which produced a fundamental shift in the way Egyptian art was understood in the second half of the 19th century.
9780300187076
Yale University Press
Moser, Stephanie
af3009ce-a7c4-4550-a180-7e1987b7deed
Moser, Stephanie
af3009ce-a7c4-4550-a180-7e1987b7deed

Moser, Stephanie (2012) Designing Antiquity: Owen Jones, ancient Egypt and the Crystal Palace , London, GB. Yale University Press, 320pp.

Record type: Book

Abstract

In the 19th century, designers became involved in the public presentation of the past, focusing specifically on the decoration of historical monuments. By exploring ornamental designs and the way they represented the cultural concerns of distant civilizations, and in addressing how color may have originally been applied to exteriors and interiors, designers animated the past and incited a new passion for the ancient world.

A crucial figure in this movement was the designer and architect Owen Jones (1809–1874), who from the 1830s until his death pioneered the study of ancient ornament and its central role in historical traditions of art. Particularly significant were the series of Fine Arts Courts that Jones designed in 1854 for the Crystal Palace's relocation to Sydenham. The ten displays on the great cultures of the ancient world featured detailed re-creations of palaces and courts. Designing Antiquity focuses on Jones's Egyptian Court, which produced a fundamental shift in the way Egyptian art was understood in the second half of the 19th century.

This record has no associated files available for download.

More information

Accepted/In Press date: July 2012
Published date: 20 August 2012
Organisations: Archaeology

Identifiers

Local EPrints ID: 184875
URI: http://eprints.soton.ac.uk/id/eprint/184875
ISBN: 9780300187076
PURE UUID: 71f50ae7-92b9-4652-a6d0-eb30477e5d35

Catalogue record

Date deposited: 11 May 2011 10:49
Last modified: 10 Dec 2021 19:12

Export record

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×