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Collecting and connoisseurship in England, 1840-1900: the case of J. C. Robinson

Conlin, Jonathan (2014) Collecting and connoisseurship in England, 1840-1900: the case of J. C. Robinson In, Reist, Inge (eds.) Reflections Across the Pond: British Models of Art Collecting and the American Response. Ashgate pp. 133-146. (The Histories of Material Culture and Collecting, 1700–1950).

Record type: Book Section

Abstract

British Models of Art Collecting and the American Response - Reflections Across the Pond presents 14 essays by distinguished art - and cultural - historians. Collectively, they examine points of similarity and difference in the approaches to art collecting practiced in Britain and the United States. Unlike most of their Continental European counterparts, the English and Americans have historically been exceptionally open to collecting the art made by and for other cultures. At the same time, they developed a tradition of opening private collections to a public eager for educational and cultural advancement. Approximately half the essays examine the trends and market forces that dominated the British art collecting scene of the nineteenth century, such as the Orléans sale and the shift away from aristocratic collections to those of the new urban merchant class. The essays that focus on American collectors use biographical sketches of collectors and dealers, as well as case studies of specific transactions to demonstrate how collectors in the United States embraced and embellished on the British model to develop their own, often philanthropic approach to art collecting.

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Published date: September 2014
Organisations: History

Identifiers

Local EPrints ID: 191575
URI: http://eprints.soton.ac.uk/id/eprint/191575
ISBN: 9781472438065
PURE UUID: 1c39332c-fae2-45d4-a47e-85d053176fd9

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Date deposited: 22 Jun 2011 10:55
Last modified: 18 Jul 2017 11:35

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Contributors

Author: Jonathan Conlin
Editor: Inge Reist

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