Special issue: Music and Migration
Special issue: Music and Migration
Theme issue on Music and Migration
Guest edited by Dr Nadia Kiwan (University of Aberdeen) and Professor Ulrike Hanna Meinhof (University of Southampton)
•Music and Migration: a transnational approach by Nadia Kiwan and Ulrike Hanna Meinhof
•Singing a New Song? Transnational Migration, Methodological Nationalism and Cosmopolitan Perspectives by Nina Glick Schiller
•Understanding Dislocal Urban Subcultures. The Example of the Hardcore Scene, from Tokyo and Beyond by Alain Mueller
•'6/8 rhythm' meets 'lova-tsofina' - experiencing Malagasy music by Jenny Fuhr
•Representing an ‘authentic ethnic identity’: Experiences of Sub-Saharan African musicians in an eastern German town by Inken Carstensen-Egwuom
•Music of the multiethnic minority – a postnational perspective by Jan Sverre Knudsen
•When Migration Ends, When Music Ceases by Philip Bohlman
•Transnational ties and local involvement: North African musicians in and beyond London by Marie-Pierre Gibert
•Salsa/ Bhangra: Transnational Rhythm Cultures in Comparative Perspective by Ananya Jahanara Kabir
1-166
Meinhof, Ulrike H.
56befd2f-b46a-4f5a-9738-24920308a376
Kiwan, Nadia
b4b84973-92e6-4c26-a81a-04cfe5d73d12
2011
Meinhof, Ulrike H.
56befd2f-b46a-4f5a-9738-24920308a376
Kiwan, Nadia
b4b84973-92e6-4c26-a81a-04cfe5d73d12
Meinhof, Ulrike H. and Kiwan, Nadia
(eds.)
(2011)
Special issue: Music and Migration.
Music and Arts in Action, 3 (3), .
Abstract
Theme issue on Music and Migration
Guest edited by Dr Nadia Kiwan (University of Aberdeen) and Professor Ulrike Hanna Meinhof (University of Southampton)
•Music and Migration: a transnational approach by Nadia Kiwan and Ulrike Hanna Meinhof
•Singing a New Song? Transnational Migration, Methodological Nationalism and Cosmopolitan Perspectives by Nina Glick Schiller
•Understanding Dislocal Urban Subcultures. The Example of the Hardcore Scene, from Tokyo and Beyond by Alain Mueller
•'6/8 rhythm' meets 'lova-tsofina' - experiencing Malagasy music by Jenny Fuhr
•Representing an ‘authentic ethnic identity’: Experiences of Sub-Saharan African musicians in an eastern German town by Inken Carstensen-Egwuom
•Music of the multiethnic minority – a postnational perspective by Jan Sverre Knudsen
•When Migration Ends, When Music Ceases by Philip Bohlman
•Transnational ties and local involvement: North African musicians in and beyond London by Marie-Pierre Gibert
•Salsa/ Bhangra: Transnational Rhythm Cultures in Comparative Perspective by Ananya Jahanara Kabir
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More information
Published date: 2011
Organisations:
Modern Languages and Linguistics
Identifiers
Local EPrints ID: 199151
URI: http://eprints.soton.ac.uk/id/eprint/199151
PURE UUID: 73721053-ba39-49d6-abcf-6250849a2ff0
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Date deposited: 01 Nov 2011 11:30
Last modified: 22 Jul 2022 17:49
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Contributors
Editor:
Nadia Kiwan
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