Faith, pastime, performance, and drama in Scotland to 1603

McGavin, John J. (2004) Faith, pastime, performance, and drama in Scotland to 1603. In, Milling, Jane and Thomson, Peter (eds.) The Cambridge History of British Theatre: Origins to 1660. Cambridge, UK. Cambridge University Press, pp. 70-86.

Record type: Book Section

Abstract

Part I. Pre-Elizabethan Theatre: 1. From Roman to Renaissance in drama and theatre John C. Coldewey; 2. Faith, pastime, performance and drama in Scotland to 1603 John J. McGavin; 3. The Bible as play in Reformation England Paul Whitfield White; 4. Drama in 1553: continuity and change Peter Happé; Part II. Elizabethan Theatre: 5. The development of a professional theatre, 1540-1660 Jane Milling; 6. Drama outside London after 1540 Peter H. Greenfield; 7. 'An example of courtesy and liberality': great households and performance Suzanne Westfall; 8. The birth of an industry Douglas Bruster; 9. Theatre and controversy, 1572-1603 Diana E. Henderson; 10. The condition of theatre in England in 1599 Andrew Gurr; 11. Ben Jonson's Every Man in His Humour: a case study Richard Allen Cave; 12. London professional playhouses and performances Martin White; Part III. Jacobean and Caroline Theatre: 13. Working playwrights, 1580-1642 Roslyn L. Knutson; 14. Theatre and controversy, 1603-1642 Janette Dillon; 15. The Stuart masque and its makers David Lindley; 16. Clowns, fools and knaves: stages in the evolution of acting Peter Thomson; 17. Thomas Middleton's A Game at Chess: a case study Richard Dutton; 18. The condition of the theatres in 1642 Martin Butler; 19. Theatre and Commonwealth Janet Clare;

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