The role of Lucha Libre in the construction of Mexican male identity
The role of Lucha Libre in the construction of Mexican male identity
Lucha Libre has played an important role in Mexican culture since the late 1950s. The sport became famous mainly due to its masked wrestlers, who incorporated their own family traditions, beliefs and fears into the design of their masks, transforming an ordinary person into a fearless character. After the introduction of the Monsters Cinema in the 1930s, Mexican audiences welcomed and adopted characters like Dracula, Nosferatu, Frankenstein and The Werewolf. The success of Monster Cinema in Mexican culture was based on the integration of national legends and beliefs, placing them in local and identifiable concepts in the Mexican popular imagination. Later, Lucha Libre Cinema mixed with Monster Cinema resulting in the birth of new heroes and myths. These emergent paladins of the Mexican metropolis set the cultural and moral standards of that time and how Mexicans wanted to be perceived. Through an anthropological and historical analysis of Mexican Cinema and Lucha Libre, this paper investigates the main social interaction of male wrestlers who perform as heroes inside the celluloid world and outside of it. We explore how masculinity and the male figure evolves in Lucha Libre Cinema, and the processes that wrestlers have to undergo in order to be able to portray themselves as superheroes of an evolving and fast growing Mexico
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Pereda, Javier
cf54c3f4-15c5-410e-acec-6d18621dc77c
Murrieta-Flores, Patricia
66880228-e3a0-4283-ab28-d2809f9bb985
2011
Pereda, Javier
cf54c3f4-15c5-410e-acec-6d18621dc77c
Murrieta-Flores, Patricia
66880228-e3a0-4283-ab28-d2809f9bb985
Pereda, Javier and Murrieta-Flores, Patricia
(2011)
The role of Lucha Libre in the construction of Mexican male identity.
Networking Knowledge: Journal of the MeCCSA-PGN, 4 (1), .
Abstract
Lucha Libre has played an important role in Mexican culture since the late 1950s. The sport became famous mainly due to its masked wrestlers, who incorporated their own family traditions, beliefs and fears into the design of their masks, transforming an ordinary person into a fearless character. After the introduction of the Monsters Cinema in the 1930s, Mexican audiences welcomed and adopted characters like Dracula, Nosferatu, Frankenstein and The Werewolf. The success of Monster Cinema in Mexican culture was based on the integration of national legends and beliefs, placing them in local and identifiable concepts in the Mexican popular imagination. Later, Lucha Libre Cinema mixed with Monster Cinema resulting in the birth of new heroes and myths. These emergent paladins of the Mexican metropolis set the cultural and moral standards of that time and how Mexicans wanted to be perceived. Through an anthropological and historical analysis of Mexican Cinema and Lucha Libre, this paper investigates the main social interaction of male wrestlers who perform as heroes inside the celluloid world and outside of it. We explore how masculinity and the male figure evolves in Lucha Libre Cinema, and the processes that wrestlers have to undergo in order to be able to portray themselves as superheroes of an evolving and fast growing Mexico
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Published date: 2011
Organisations:
Faculty of Humanities
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Local EPrints ID: 344948
URI: http://eprints.soton.ac.uk/id/eprint/344948
PURE UUID: 056cd000-2c41-4ec2-bdbf-6a5998ec53de
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Date deposited: 08 Nov 2012 15:47
Last modified: 01 Mar 2023 17:44
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Author:
Javier Pereda
Author:
Patricia Murrieta-Flores
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