George Egerton’s Keynotes: Nietzschean feminism and fin-de-siècle fetishism

Brown, Daniel (2010) George Egerton’s Keynotes: Nietzschean feminism and fin-de-siècle fetishism Victorian Literature and Culture, 39, (1), pp. 143-166. (doi:10.1017/S1060150310000318).


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The title of George Egerton's first collection of short stories, Keynotes (1893), announces a concern with the beginnings of sequences, the first principles from which larger patterns are orchestrated. The stories introduce premises from which new social and sexual relations may be engendered and individual existential choices made, a philosophical intent that harks back to the preoccupation in classical Greek thought with the nature of the Good Life and how to live it, which Friedrich Nietzsche renews for modern Western philosophy. Egerton's broad but nonetheless radical engagement with Nietzschean thought can be traced through the references she makes to the philosopher in Keynotes, which are widely credited with being the first in English literature. Indeed, such allusions are, as Iveta Jusová observes, “the most frequent literary reference[s] in Egerton's texts” (53). They were also recognised and mobilised against her by some of her earliest critics

Item Type: Article
Digital Object Identifier (DOI): doi:10.1017/S1060150310000318
ISSNs: 1060-1503 (print)
Organisations: English
ePrint ID: 345082
Date :
Date Event
December 2010e-pub ahead of print
March 2011Published
Date Deposited: 09 Nov 2012 14:26
Last Modified: 17 Apr 2017 16:23
Further Information:Google Scholar

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