Beyond the visible: secularism and postcolonial modernity in Salman Rushdie's The Moor's Last Sigh, Jamelie Hassan's Trilogy, and Anish Kapoor's Blood Relations
Beyond the visible: secularism and postcolonial modernity in Salman Rushdie's The Moor's Last Sigh, Jamelie Hassan's Trilogy, and Anish Kapoor's Blood Relations
9780415885454
32-49
Morton, Stephen
3200c49e-fcfa-4088-9168-1d6998266ec1
21 November 2011
Morton, Stephen
3200c49e-fcfa-4088-9168-1d6998266ec1
Morton, Stephen
(2011)
Beyond the visible: secularism and postcolonial modernity in Salman Rushdie's The Moor's Last Sigh, Jamelie Hassan's Trilogy, and Anish Kapoor's Blood Relations.
In,
Mendes, Ana Cristina
(ed.)
Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders.
(Routledge Studies in Twentieth-Century Literature)
Abingdon, GB.
Routledge, .
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Published date: 21 November 2011
Organisations:
English
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Local EPrints ID: 345355
URI: http://eprints.soton.ac.uk/id/eprint/345355
ISBN: 9780415885454
PURE UUID: 3121f3fd-34aa-4cb9-8870-7890689416c9
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Date deposited: 20 Nov 2012 11:14
Last modified: 11 Dec 2021 01:09
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Editor:
Ana Cristina Mendes
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