The University of Southampton
University of Southampton Institutional Repository

Striking a discordant note: protest song and working-class political culture in Germany, 1844-1933

Striking a discordant note: protest song and working-class political culture in Germany, 1844-1933
Striking a discordant note: protest song and working-class political culture in Germany, 1844-1933
This thesis examines the role played by protest song in the development of the political culture of Germany’s industrial working class between 1844 and 1933. Protest song was an integral component in the struggle of the German working class to achieve some measure of political and social equality in the nineteenth and early twentieth centuries. Throughout this period, the working class found itself subjected to varying levels of political repression by the German authorities, and in order to promote their political views, industrial workers used the medium of song to protest against injustice.

The thesis seeks to determine the significance of protest song for the political development of the German industrial working class through an analysis of song lyrics. The study of working-class protest song lyrics has largely been the preserve of historians from the former German Democratic Republic, where scholarship was shaped by the unique political imperatives of history writing under the Communist regime. This thesis seeks to redress the historiographical imbalance that this approach engendered, arguing that protest song produced under the auspices of the Social Democrats was both a culturally valid and politically significant feature of German working-class political life, albeit one that offered a different ideological approach to that of the overtly revolutionary output of the Communist movement.

Additionally this thesis will acknowledge that working-class song was not merely used as an instrument of protest, but also as a medium to communicate political ideology. Protest song was an integral part of the cultural capital of the working class milieu, creating a distinct canon upon which German industrial workers drew in a variety of political, social and cultural situations. This study will engage with this canon in order to establish how the cultural practice of singing endowed working-class protest songs with an intrinsic political significance.
Rose, Mark
ce077dc9-d94d-4cd9-8d65-d56e5d0a1bc6
Rose, Mark
ce077dc9-d94d-4cd9-8d65-d56e5d0a1bc6
Gregor, N.
ee3a0bc7-3779-4dd8-ad67-aad07359ca51

Rose, Mark (2010) Striking a discordant note: protest song and working-class political culture in Germany, 1844-1933. University of Southampton, School of Humanities, Doctoral Thesis, 275pp.

Record type: Thesis (Doctoral)

Abstract

This thesis examines the role played by protest song in the development of the political culture of Germany’s industrial working class between 1844 and 1933. Protest song was an integral component in the struggle of the German working class to achieve some measure of political and social equality in the nineteenth and early twentieth centuries. Throughout this period, the working class found itself subjected to varying levels of political repression by the German authorities, and in order to promote their political views, industrial workers used the medium of song to protest against injustice.

The thesis seeks to determine the significance of protest song for the political development of the German industrial working class through an analysis of song lyrics. The study of working-class protest song lyrics has largely been the preserve of historians from the former German Democratic Republic, where scholarship was shaped by the unique political imperatives of history writing under the Communist regime. This thesis seeks to redress the historiographical imbalance that this approach engendered, arguing that protest song produced under the auspices of the Social Democrats was both a culturally valid and politically significant feature of German working-class political life, albeit one that offered a different ideological approach to that of the overtly revolutionary output of the Communist movement.

Additionally this thesis will acknowledge that working-class song was not merely used as an instrument of protest, but also as a medium to communicate political ideology. Protest song was an integral part of the cultural capital of the working class milieu, creating a distinct canon upon which German industrial workers drew in a variety of political, social and cultural situations. This study will engage with this canon in order to establish how the cultural practice of singing endowed working-class protest songs with an intrinsic political significance.

Text
Mark Rose PhD.pdf - Other
Download (2MB)

More information

Published date: September 2010
Organisations: University of Southampton, Faculty of Humanities

Identifiers

Local EPrints ID: 367356
URI: http://eprints.soton.ac.uk/id/eprint/367356
PURE UUID: 2dd2b698-fca4-4114-98ba-63ea83f22edc

Catalogue record

Date deposited: 23 Oct 2014 12:08
Last modified: 14 Mar 2024 17:28

Export record

Contributors

Author: Mark Rose
Thesis advisor: N. Gregor

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×