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Collage: The Making of Modern Art

Record type: Book

The book is the most complete account of a central technique of modern visual art, and the first to establish its many and fertile innovations. Reflecting throughout on the major aesthetic and productional inventions enabled by the adhesion of alien material in the art-work, the book covers Cubism, Dada, Surrealism, the post-war revolutions in abstract art, Fluxus, Conceptual Art and recent developments in digital art. It charts the connections of collage with neighbouring concepts such as montage, assemblage, and gives new information on artists from California to Moscow, with Western and Central Europe presented with a formidable range of artists, movements and styles.

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Citation

Taylor, Brandon (2004) Collage: The Making of Modern Art, London, UK, Thames and Hudson Ltd, 224pp.

More information

Published date: 2004
Additional Information: Collage: The Making of Modern Art has been translated into French and published as Collage: l'Invention des avant-gardes, Paris 2005, and issued in English 2006 in paperback edition.

Identifiers

Local EPrints ID: 38071
URI: http://eprints.soton.ac.uk/id/eprint/38071
ISBN: 0500238162
PURE UUID: fb5eacd8-7f19-4c7d-b036-bc55889f0551

Catalogue record

Date deposited: 01 Jun 2006
Last modified: 17 Jul 2017 15:40

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