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Foreigner and Fascists: Patterns of Hostility to Modern Art in Britain before and after the First World War

Foreigner and Fascists: Patterns of Hostility to Modern Art in Britain before and after the First World War
Foreigner and Fascists: Patterns of Hostility to Modern Art in Britain before and after the First World War
The chapter traces patterns of hostility to modernism in British art in the period of and just after the First World War, notably the accusations of incompetence, defective training or skill, mental insufficiency, Bolshevism, and most notably Jewishness. The author has researched the newspaper correspondence, the anti-modernist tracts and publications, and importantly the anti-semetic tendencies in these publications - and the reactions of the artists, such as Jacob Epstein, who were caught up in them. The political affiliations of anti-modernism with the Royal Academy and through it with the aesthetic and artistic preferences of the British Royal Family are also explored.
0300094884
169-198
Yale University Press
Taylor, Brandon
b8ee0f12-9f7a-4598-968b-7593c5ef4677
Corbett, David Peters
Holt, Ysanne
Russell, Fiona
Taylor, Brandon
b8ee0f12-9f7a-4598-968b-7593c5ef4677
Corbett, David Peters
Holt, Ysanne
Russell, Fiona

Taylor, Brandon (2002) Foreigner and Fascists: Patterns of Hostility to Modern Art in Britain before and after the First World War. In, Corbett, David Peters, Holt, Ysanne and Russell, Fiona (eds.) The Geographies of Englishness: Landscape and the National Past 1880-1940. (Studies in British Art, 10) London, UK. Yale University Press, pp. 169-198.

Record type: Book Section

Abstract

The chapter traces patterns of hostility to modernism in British art in the period of and just after the First World War, notably the accusations of incompetence, defective training or skill, mental insufficiency, Bolshevism, and most notably Jewishness. The author has researched the newspaper correspondence, the anti-modernist tracts and publications, and importantly the anti-semetic tendencies in these publications - and the reactions of the artists, such as Jacob Epstein, who were caught up in them. The political affiliations of anti-modernism with the Royal Academy and through it with the aesthetic and artistic preferences of the British Royal Family are also explored.

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More information

Published date: 2002

Identifiers

Local EPrints ID: 38076
URI: http://eprints.soton.ac.uk/id/eprint/38076
ISBN: 0300094884
PURE UUID: 7897151b-181c-441c-99db-5c90301ed66c

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Date deposited: 01 Jun 2006
Last modified: 11 Dec 2021 15:39

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Contributors

Author: Brandon Taylor
Editor: David Peters Corbett
Editor: Ysanne Holt
Editor: Fiona Russell

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