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Visualizing live albums: progressive rock and the British concert film in the 1970s

Visualizing live albums: progressive rock and the British concert film in the 1970s
Visualizing live albums: progressive rock and the British concert film in the 1970s
This book chapter looks at the phenomenon of the live film as equivalent to the live record release, with particular reference to British progressive rock in the 1970s
978-0-415-52801-6
171-181
Routledge
Donnelly, Kevin
b31cebde-a9cf-48c9-a573-97782cd2a5c0
Edgar, Robert
Fairclough-Isaacs, Kirsty
Halligan, Ben
Donnelly, Kevin
b31cebde-a9cf-48c9-a573-97782cd2a5c0
Edgar, Robert
Fairclough-Isaacs, Kirsty
Halligan, Ben

Donnelly, Kevin (2013) Visualizing live albums: progressive rock and the British concert film in the 1970s. In, Edgar, Robert, Fairclough-Isaacs, Kirsty and Halligan, Ben (eds.) The Music Documentary: From Acid Rock to Electropop. New York, US. Routledge, pp. 171-181.

Record type: Book Section

Abstract

This book chapter looks at the phenomenon of the live film as equivalent to the live record release, with particular reference to British progressive rock in the 1970s

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More information

Accepted/In Press date: 6 June 2013
Published date: 6 December 2013
Organisations: Film

Identifiers

Local EPrints ID: 382055
URI: https://eprints.soton.ac.uk/id/eprint/382055
ISBN: 978-0-415-52801-6
PURE UUID: c914ee80-ceab-458b-84fc-8c9dc65a0148

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Date deposited: 22 Oct 2015 10:29
Last modified: 15 Jul 2019 21:03

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