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The aesthetics of depositional practice

The aesthetics of depositional practice
The aesthetics of depositional practice
An archaeology of aesthetics can be more than a study of past artistic evaluation. It can be extended to encompass an understanding of styles of action considered proper and efficacious, and which drew in a knowledgeable and skilful fashion on specific understandings of the world and the order of things. Through the detail of selected depositional contexts in the British Neolithic, it is shown how the deliberate burial of artefacts and other materials was undertaken with such forms of aesthetic value in mind. In an 'aesthetics of deposition', a perception of effectiveness was intimately related to the effort and care expended upon the appropriate selection, arrangement and burial of things. While individual objects may not in themselves have been ascribed an aesthetic quality, their bringing together and arrangement in burial did serve to create aesthetic effects. In a post-Duchampian tradition they could even be seen as artworks.
315-333
Pollard, Joshua
5080faff-bc2c-4d27-b702-e40a5eb40761
Pollard, Joshua
5080faff-bc2c-4d27-b702-e40a5eb40761

Pollard, Joshua (2001) The aesthetics of depositional practice. [in special issue: Archaeology and aesthetics] World Archaeology, 33 (2), 315-333. (doi:10.1080/00438240120079316).

Record type: Article

Abstract

An archaeology of aesthetics can be more than a study of past artistic evaluation. It can be extended to encompass an understanding of styles of action considered proper and efficacious, and which drew in a knowledgeable and skilful fashion on specific understandings of the world and the order of things. Through the detail of selected depositional contexts in the British Neolithic, it is shown how the deliberate burial of artefacts and other materials was undertaken with such forms of aesthetic value in mind. In an 'aesthetics of deposition', a perception of effectiveness was intimately related to the effort and care expended upon the appropriate selection, arrangement and burial of things. While individual objects may not in themselves have been ascribed an aesthetic quality, their bringing together and arrangement in burial did serve to create aesthetic effects. In a post-Duchampian tradition they could even be seen as artworks.

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More information

Published date: 2001
Organisations: Archaeology

Identifiers

Local EPrints ID: 389677
URI: http://eprints.soton.ac.uk/id/eprint/389677
PURE UUID: 08232aae-c420-4cfb-b0f9-cc9fce245814
ORCID for Joshua Pollard: ORCID iD orcid.org/0000-0002-8429-2009

Catalogue record

Date deposited: 11 Mar 2016 09:22
Last modified: 15 Mar 2024 03:38

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