Performance and the composite film score
Performance and the composite film score
Contents
Introduction
Chapter One:
The Hidden Heritage of Film Music: History and Scholarship
K. J. Donnelly
Chapter Two:
Analytical and Interpretive Approaches to Film Music (I): Analysing the Music
David Neumeyer and James Buhler
Chapter Three:
Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film
James Buhler
Chapter Four:
‘In the Mix’: How Electrical Producers Facilitated the Transition to Sound in British Cinemas
Michael Allen
Chapter Five:
King Kong and Film on Music (Out of the Fog)
Peter Franklin
Chapter Six:
The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music
William H. Rosar
Chapter Seven:
The Documentary Film Scores of Gail Kubik
Alfred W. Cochran
Chapter Eight:
Embracing Kitsch: Werner Schroeter, Music and The Bomber Pilot
Caryl Flinn
Chapter Nine:
Performance and the Composite Film Score
K.J. Donnelly
Chapter Ten:
Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape
Robynn J. Stilwell
Chapter Eleven:
‘Would You like to Hear Some Music?’ Music in-and-out-of-control in the Films of Quentin Tarantino
Ken Garner
152-166
Edinburgh University Press
Donnelly, Kevin
528e9512-698d-4bc2-8f28-b023b5c788b7
July 2001
Donnelly, Kevin
528e9512-698d-4bc2-8f28-b023b5c788b7
Donnelly, Kevin
(2001)
Performance and the composite film score.
In,
Donnelly, Kevin
(ed.)
Film Music: Critical Approaches.
Edinburgh, UK; New York, USA.
Edinburgh University Press, .
Record type:
Book Section
Abstract
Contents
Introduction
Chapter One:
The Hidden Heritage of Film Music: History and Scholarship
K. J. Donnelly
Chapter Two:
Analytical and Interpretive Approaches to Film Music (I): Analysing the Music
David Neumeyer and James Buhler
Chapter Three:
Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film
James Buhler
Chapter Four:
‘In the Mix’: How Electrical Producers Facilitated the Transition to Sound in British Cinemas
Michael Allen
Chapter Five:
King Kong and Film on Music (Out of the Fog)
Peter Franklin
Chapter Six:
The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music
William H. Rosar
Chapter Seven:
The Documentary Film Scores of Gail Kubik
Alfred W. Cochran
Chapter Eight:
Embracing Kitsch: Werner Schroeter, Music and The Bomber Pilot
Caryl Flinn
Chapter Nine:
Performance and the Composite Film Score
K.J. Donnelly
Chapter Ten:
Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape
Robynn J. Stilwell
Chapter Eleven:
‘Would You like to Hear Some Music?’ Music in-and-out-of-control in the Films of Quentin Tarantino
Ken Garner
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More information
Published date: July 2001
Additional Information:
I also wrote the chapter "Performance and the Composite Film Score". This book was one of the first edit collections on film music.
Organisations:
Film
Identifiers
Local EPrints ID: 392609
URI: http://eprints.soton.ac.uk/id/eprint/392609
PURE UUID: c0656f07-9c16-4d09-92b0-bab15d55fee1
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Date deposited: 12 May 2016 12:11
Last modified: 03 Jan 2024 16:13
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Contributors
Author:
Kevin Donnelly
Editor:
Kevin Donnelly
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