Musikalisches denken im labyrinth der aufklärung: Wilhelm Heinses Hildegard von Hohenthal (structura et experientia musicae)
Musikalisches denken im labyrinth der aufklärung: Wilhelm Heinses Hildegard von Hohenthal (structura et experientia musicae)
Irvine, Thomas
aab08974-17f8-4614-86be-e94e7b9cfe76
Thormahlen, Wiebke
646fcd72-09dd-4f7b-9878-92e5687b3507
Wiener, Oliver
333c2299-fa6a-4fe7-ade5-8f351e65fd49
August 2015
Irvine, Thomas
aab08974-17f8-4614-86be-e94e7b9cfe76
Thormahlen, Wiebke
646fcd72-09dd-4f7b-9878-92e5687b3507
Wiener, Oliver
333c2299-fa6a-4fe7-ade5-8f351e65fd49
Irvine, Thomas, Thormahlen, Wiebke and Wiener, Oliver
(eds.)
(2015)
Musikalisches denken im labyrinth der aufklärung: Wilhelm Heinses Hildegard von Hohenthal (structura et experientia musicae)
,
Mainz, DE.
Are Musik Verlag, 220pp.
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Published date: August 2015
Organisations:
Music
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Local EPrints ID: 392698
URI: http://eprints.soton.ac.uk/id/eprint/392698
PURE UUID: 960b888c-337f-4d8d-93f9-6c17dccb7d40
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Date deposited: 12 May 2016 12:55
Last modified: 11 Dec 2021 10:01
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Contributors
Editor:
Wiebke Thormahlen
Editor:
Oliver Wiener
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