Esther’s ether: atmospheric character in Charles Dickens’s Bleak House

Abstract

Five chapters after the famous foggy opening of Charles Dickens's Bleak House (1853), the novel's protagonist Esther Summerson disappears into thick air. Esther's “darling,” the young orphan Ada Clare, first discloses her companion's climatic dissolution when she celebrates her kind-hearted treatment of the hapless Jellyby children. Although Ada and Esther's guardian John Jarndyce maintains that a shower of “sugar-plums, or three-cornered raspberry tarts,” might be a suitable remedy for the children's neglect, Ada contradicts this proposition when she makes the odd claim, “It did better than that. It rained Esther” (61). This assertion that Esther's precipitated personhood is a “better” palliative than an abundance of sugared confections undoubtedly evinces Ada's childlike appreciation of her companion's effusive goodness. Within the larger scope of the novel, however, the remarkable notion that Esther's seemingly embodied actions and emotions are equivalent to rain, raises an unexpected but essential question: To what ends does Dickens's protagonist evaporate into the dense atmosphere we traditionally associate with the setting of Bleak House?

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