Film Stardom and the Ancient Past: Idols, Artefacts and Epics
Film Stardom and the Ancient Past: Idols, Artefacts and Epics
This book offers the first comprehensive exploration of the importance of the ancient past in the development of screen stardom in Hollywood since the silent era, and engages with debates on historical reception, gender and sexuality, nostalgia, authenticity and the uses of the past. This study offers fresh insights into ‘divinized stardom’, a highly influential and yet understudied phenomenon that predates Hollywood and continues into the digital age.
Case studies include Greta Garbo and Mata Hari (1931); Buster Crabbe and the 1930s Olympian body; the marketing of Rita Hayworth as Venus in the 1940s; sculpture and star performance in Oliver Stone’s Alexander (2004), landscape and sexuality in Troy (2004); digital afterimages of stars such as Marilyn Monroe; and the classical body in the contemporary ancient genre. The author’s richly layered ‘archaeological’ approach uses detailed textual analysis and archival research to survey the use of the myth and iconography of ancient Greece, Rome and Egypt in some of stardom’s most popular and fascinating incarnations.
This interdisciplinary study will be significant for anyone interested in star studies, film and cultural history, and classical reception.
Williams, Michael
fdd5b778-38f1-4529-b99c-9d41ab749576
2018
Williams, Michael
fdd5b778-38f1-4529-b99c-9d41ab749576
Williams, Michael
(2018)
Film Stardom and the Ancient Past: Idols, Artefacts and Epics
,
London, GB.
Palgrave Macmillan, 311pp.
Abstract
This book offers the first comprehensive exploration of the importance of the ancient past in the development of screen stardom in Hollywood since the silent era, and engages with debates on historical reception, gender and sexuality, nostalgia, authenticity and the uses of the past. This study offers fresh insights into ‘divinized stardom’, a highly influential and yet understudied phenomenon that predates Hollywood and continues into the digital age.
Case studies include Greta Garbo and Mata Hari (1931); Buster Crabbe and the 1930s Olympian body; the marketing of Rita Hayworth as Venus in the 1940s; sculpture and star performance in Oliver Stone’s Alexander (2004), landscape and sexuality in Troy (2004); digital afterimages of stars such as Marilyn Monroe; and the classical body in the contemporary ancient genre. The author’s richly layered ‘archaeological’ approach uses detailed textual analysis and archival research to survey the use of the myth and iconography of ancient Greece, Rome and Egypt in some of stardom’s most popular and fascinating incarnations.
This interdisciplinary study will be significant for anyone interested in star studies, film and cultural history, and classical reception.
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Submitted date: 17 July 2017
Accepted/In Press date: 21 July 2017
e-pub ahead of print date: 20 November 2017
Published date: 2018
Organisations:
Film
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Local EPrints ID: 396829
URI: http://eprints.soton.ac.uk/id/eprint/396829
PURE UUID: 8b60594e-37cd-49c6-888f-d8d0045fcd82
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Date deposited: 13 Jun 2016 15:32
Last modified: 15 Mar 2024 03:12
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