Elbow & C&C Residency
Elbow & C&C Residency
Elbow C&C Gallery 5th September – 4th October 2015
The Elbow, the part of the human body that a blind or partially sighted person takes hold of, four fingers on the inside, thumb on the outside; holding with a firm grip to assist them with navigation. It is a common guiding technique linking two people into an unfamiliar choreography.
This summer C&C Gallery hosted an innovative residency programme, transforming the gallery space into a dynamic studio environment in order to respond to ideas surrounding the condition of blindness. During this time eight artists (and two archaeologists; Andrew Jones and Marta Diaz-Gaurdamino) variously came and went, engaging with a whole repertoire of processes, from casting to laser scanning, leaving a variety of traces of their activities. Much of the work, arrived at through a collaborative approach has sought to obliquely cast a shadow across the subject, remaining open towards the process of making, and the work remains in a state of uncertainty even at the time of writing.
During a workshop in the space hosted by John Dickinson-Lilley, the artists wore blind glasses and stumbled rather pathetically around the gallery and the local high street, feeling unsure, insecure and inept, grounded only by the feeling of the floor beneath ones feet and ones fingers upon a companions elbow. Within the space; chalk lines, floor to ceiling columns and laser scanning targets have created an installation for measurement, where diverse material usage- including borax, expanding foam and cat litter humorously confound expectation.
Dawson, Ian
3b598f16-b350-4fbc-89aa-ef92eba6abfa
Dunseath, Jenny
b0ff7938-d760-4892-b0d3-7c8622ee3918
Vhairi, Mhairi
7d0903e0-5046-443b-88ba-5663a1e18da9
Minkin, Louisa
110d6201-300e-4b20-8cc7-23e6b9ba7737
Jones, Andrew
3e8becff-0d46-42eb-85db-2dd4f07e92a3
Diaz-Guardamino Uribe, Marta
90b7539a-fe4b-446a-a6ff-4bd0a7b5cbf3
Greenwood, John
cf946fc0-0394-49c1-a070-c00284b15ccf
Colegate, Michael
35e662e2-03d5-4ad4-86ed-2ef90229f6c4
Dickinson-Lilley, John
15a9598e-d2ab-4b1b-ba4c-bfb6be74497e
Dawson, Ian
3b598f16-b350-4fbc-89aa-ef92eba6abfa
Dunseath, Jenny
b0ff7938-d760-4892-b0d3-7c8622ee3918
Vhairi, Mhairi
7d0903e0-5046-443b-88ba-5663a1e18da9
Minkin, Louisa
110d6201-300e-4b20-8cc7-23e6b9ba7737
Jones, Andrew
3e8becff-0d46-42eb-85db-2dd4f07e92a3
Diaz-Guardamino Uribe, Marta
90b7539a-fe4b-446a-a6ff-4bd0a7b5cbf3
Greenwood, John
cf946fc0-0394-49c1-a070-c00284b15ccf
Colegate, Michael
35e662e2-03d5-4ad4-86ed-2ef90229f6c4
Dickinson-Lilley, John
15a9598e-d2ab-4b1b-ba4c-bfb6be74497e
Dawson, Ian, Dunseath, Jenny, Vhairi, Mhairi, Minkin, Louisa, Jones, Andrew, Diaz-Guardamino Uribe, Marta, Greenwood, John, Colegate, Michael and Dickinson-Lilley, John
(2015)
Elbow & C&C Residency.
Record type:
Art Design Item
Abstract
Elbow C&C Gallery 5th September – 4th October 2015
The Elbow, the part of the human body that a blind or partially sighted person takes hold of, four fingers on the inside, thumb on the outside; holding with a firm grip to assist them with navigation. It is a common guiding technique linking two people into an unfamiliar choreography.
This summer C&C Gallery hosted an innovative residency programme, transforming the gallery space into a dynamic studio environment in order to respond to ideas surrounding the condition of blindness. During this time eight artists (and two archaeologists; Andrew Jones and Marta Diaz-Gaurdamino) variously came and went, engaging with a whole repertoire of processes, from casting to laser scanning, leaving a variety of traces of their activities. Much of the work, arrived at through a collaborative approach has sought to obliquely cast a shadow across the subject, remaining open towards the process of making, and the work remains in a state of uncertainty even at the time of writing.
During a workshop in the space hosted by John Dickinson-Lilley, the artists wore blind glasses and stumbled rather pathetically around the gallery and the local high street, feeling unsure, insecure and inept, grounded only by the feeling of the floor beneath ones feet and ones fingers upon a companions elbow. Within the space; chalk lines, floor to ceiling columns and laser scanning targets have created an installation for measurement, where diverse material usage- including borax, expanding foam and cat litter humorously confound expectation.
Image
Poster Elbow.jpg
- Other
Image
elbow_installation_7.72dpi.jpg
- Other
More information
Accepted/In Press date: 5 September 2015
Organisations:
Winchester School of Art
Identifiers
Local EPrints ID: 398302
URI: http://eprints.soton.ac.uk/id/eprint/398302
PURE UUID: 20089b60-c041-479b-9383-de8647d1ff3a
Catalogue record
Date deposited: 25 Jul 2016 08:24
Last modified: 15 Mar 2024 03:05
Export record
Contributors
Artist:
Jenny Dunseath
Artist:
Mhairi Vhairi
Artist:
Louisa Minkin
Artist:
John Greenwood
Artist:
Michael Colegate
Other:
John Dickinson-Lilley
Download statistics
Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.
View more statistics