Recording and analysis of ship graffiti in St Thomas’ church and Blackfriars Barn undercroft in Winchelsea, East Sussex, UK
Recording and analysis of ship graffiti in St Thomas’ church and Blackfriars Barn undercroft in Winchelsea, East Sussex, UK
Two assemblages of ship graffiti were recorded using Reflectance Transformation Imaging (RTI) in the ancient port town of Winchelsea. The engravings show characteristics common to most medieval ship graffiti in England, while displaying a certain variety in the level of detail and quality in which ships can be represented using this medium, encouraging a nuanced understanding. It is suggested that, despite these complexities, the ship graffiti demonstrate a multifaceted relationship with the sea. The St Thomas’ church graffiti could have been a means of spiritual protection and a devotional practice that cuts across different communities of practice and social groups, while the seascape in Blackfriars Barn undercroft can be interpreted as an occasion of informal remembrance of the mustering of a large naval fleet before setting out.
ship depictions, graffiti, churches, undercrofts, reflectance transformation imaging
296-309
Dhoop, Thomas
be54cbc1-7b0d-4878-b2ab-6db62dba3e1d
Cooper, Catriona
06cc35e3-61f1-4e6d-a098-dbde52c8a7ab
Copeland, Penny
8a2a05ec-70d2-4a28-b4bb-997aa105846f
September 2016
Dhoop, Thomas
be54cbc1-7b0d-4878-b2ab-6db62dba3e1d
Cooper, Catriona
06cc35e3-61f1-4e6d-a098-dbde52c8a7ab
Copeland, Penny
8a2a05ec-70d2-4a28-b4bb-997aa105846f
Dhoop, Thomas, Cooper, Catriona and Copeland, Penny
(2016)
Recording and analysis of ship graffiti in St Thomas’ church and Blackfriars Barn undercroft in Winchelsea, East Sussex, UK.
International Journal of Nautical Archaeology, 45 (2), .
(doi:10.1111/1095-9270.12179).
Abstract
Two assemblages of ship graffiti were recorded using Reflectance Transformation Imaging (RTI) in the ancient port town of Winchelsea. The engravings show characteristics common to most medieval ship graffiti in England, while displaying a certain variety in the level of detail and quality in which ships can be represented using this medium, encouraging a nuanced understanding. It is suggested that, despite these complexities, the ship graffiti demonstrate a multifaceted relationship with the sea. The St Thomas’ church graffiti could have been a means of spiritual protection and a devotional practice that cuts across different communities of practice and social groups, while the seascape in Blackfriars Barn undercroft can be interpreted as an occasion of informal remembrance of the mustering of a large naval fleet before setting out.
Text
__filestore.soton.ac.uk_users_pc6_mydocuments_Winchelsea_Dhoop et al 2016 Ship Graffiit in St Thomas church and Blackfriars Barn undercroft v.5 Final.pdf
- Accepted Manuscript
More information
Accepted/In Press date: 1 May 2016
e-pub ahead of print date: 29 June 2016
Published date: September 2016
Keywords:
ship depictions, graffiti, churches, undercrofts, reflectance transformation imaging
Organisations:
Archaeology
Identifiers
Local EPrints ID: 399592
URI: http://eprints.soton.ac.uk/id/eprint/399592
ISSN: 1057-2414
PURE UUID: 1a0d7419-68cf-41ba-bffd-d5aa18101477
Catalogue record
Date deposited: 23 Aug 2016 08:19
Last modified: 15 Mar 2024 05:49
Export record
Altmetrics
Contributors
Author:
Thomas Dhoop
Author:
Catriona Cooper
Download statistics
Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.
View more statistics