Putting the pieces together: revealing face-voice integration through the facial overshadowing effect
Putting the pieces together: revealing face-voice integration through the facial overshadowing effect
Two experiments are reported which explore the limits of the facial overshadowing effect on voice recognition. In Experiment 1, the facial overshadowing effect was replicated. Voice recognition was significantly impaired when the voice had been studied in the presence of the face rather than when studied alone. However, this effect was removed when the accompanying face was inverted. In Experiment 2, the facial overshadowing effect was replicated using more realistic moving faces rather than static faces through presentation of a video sequence at study. Surprisingly, the magnitude of the facial overshadowing effect was not influenced by whether faces were static or dynamic. Moreover, the effect remained even under temporal asynchrony. Together, these results show the facial overshadowing effect to be a robust phenomenon. However, it appears to depend critically on one factor: the facial nature of the distraction. The results are discussed in terms of the integration of faces and voices in a recognition context, and in terms of a holistic view of face-voice processing in a more general person perception framework. This offers an explanation of current findings, and serves to guide predictions for future work.
1-15
Tomlin, Rebecca J.
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Stevenage, Sarah
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Hammond, Sarah
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Tomlin, Rebecca J.
d0750182-6193-463a-9d7e-7521d4d34109
Stevenage, Sarah
493f8c57-9af9-4783-b189-e06b8e958460
Hammond, Sarah
2c9ab094-8737-4958-8dac-248da6fa71df
Tomlin, Rebecca J., Stevenage, Sarah and Hammond, Sarah
(2016)
Putting the pieces together: revealing face-voice integration through the facial overshadowing effect.
Visual Cognition, .
(doi:10.1080/13506285.2016.1245230).
Abstract
Two experiments are reported which explore the limits of the facial overshadowing effect on voice recognition. In Experiment 1, the facial overshadowing effect was replicated. Voice recognition was significantly impaired when the voice had been studied in the presence of the face rather than when studied alone. However, this effect was removed when the accompanying face was inverted. In Experiment 2, the facial overshadowing effect was replicated using more realistic moving faces rather than static faces through presentation of a video sequence at study. Surprisingly, the magnitude of the facial overshadowing effect was not influenced by whether faces were static or dynamic. Moreover, the effect remained even under temporal asynchrony. Together, these results show the facial overshadowing effect to be a robust phenomenon. However, it appears to depend critically on one factor: the facial nature of the distraction. The results are discussed in terms of the integration of faces and voices in a recognition context, and in terms of a holistic view of face-voice processing in a more general person perception framework. This offers an explanation of current findings, and serves to guide predictions for future work.
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AUTHOR-ACCEPTED Putting the Pieces Together MAIN TEXT.docx
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Accepted/In Press date: 25 September 2016
e-pub ahead of print date: 16 November 2016
Identifiers
Local EPrints ID: 402357
URI: http://eprints.soton.ac.uk/id/eprint/402357
ISSN: 1350-6285
PURE UUID: 4e84cf77-47f5-467f-b417-08ea7fe6cdb0
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Date deposited: 04 Nov 2016 16:56
Last modified: 16 Mar 2024 02:46
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Author:
Rebecca J. Tomlin
Author:
Sarah Hammond
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