The University of Southampton
University of Southampton Institutional Repository

Making love with needles: knitted objects as signs of love?

Making love with needles: knitted objects as signs of love?
Making love with needles: knitted objects as signs of love?
This article investigates the relationship between people and their things when the consumer or owner is also, potentially, the maker. By analyzing the ways in which people construct personal narratives and/or identities through the construction of specific items intended for themselves or others, this article aims to uncover intimate forms of object relations. Knitting is a relatively simple activity and is frequently done by hand. Stigmatized as old-fashioned, ugly, thrifty, domestic, and inherently feminine, both knitting and the objects resulting from its practice seemingly occupy a space that is neither craft nor design, yet the practice of knitting remains widespread and its objects, coveted, loved, accepted, rejected, and so on, as any object would be. Knitting has historically been associated with both familial and romantic love: of time spent thinking of someone whilst making, with the made object an expression of the sacrifice of time, of thoughtfulness, and the embodiment of feminine “virtues” of caring and nurturing. Equally, one can see the knitted object, when it is a garment or a toy, as close to the body, touching and being touched by the body, further extending its potential for intimacy. Yet, the communication of these values are only recognized if the object is received and used as the maker intended, and this article aims to highlight, through example, the ways in which such objects do not solely represent “love,” but also signify possessiveness, control, and domination. Referencing literature, magazine articles, objects, and makers’ testimony, this article utilizes a design history and material culture methodology, which enables the discussion of both object and practice, as well as creating a model from which the object's biography can be evaluated.
1475-9756
302-311
Turney, Joanne
7693d7d8-fa70-42ef-bd6e-a7fd02d272ab
Turney, Joanne
7693d7d8-fa70-42ef-bd6e-a7fd02d272ab

Turney, Joanne (2012) Making love with needles: knitted objects as signs of love? Textile: The Journal of Cloth and Culture, 10 (3), 302-311. (doi:10.2752/175183512X13505526963949).

Record type: Article

Abstract

This article investigates the relationship between people and their things when the consumer or owner is also, potentially, the maker. By analyzing the ways in which people construct personal narratives and/or identities through the construction of specific items intended for themselves or others, this article aims to uncover intimate forms of object relations. Knitting is a relatively simple activity and is frequently done by hand. Stigmatized as old-fashioned, ugly, thrifty, domestic, and inherently feminine, both knitting and the objects resulting from its practice seemingly occupy a space that is neither craft nor design, yet the practice of knitting remains widespread and its objects, coveted, loved, accepted, rejected, and so on, as any object would be. Knitting has historically been associated with both familial and romantic love: of time spent thinking of someone whilst making, with the made object an expression of the sacrifice of time, of thoughtfulness, and the embodiment of feminine “virtues” of caring and nurturing. Equally, one can see the knitted object, when it is a garment or a toy, as close to the body, touching and being touched by the body, further extending its potential for intimacy. Yet, the communication of these values are only recognized if the object is received and used as the maker intended, and this article aims to highlight, through example, the ways in which such objects do not solely represent “love,” but also signify possessiveness, control, and domination. Referencing literature, magazine articles, objects, and makers’ testimony, this article utilizes a design history and material culture methodology, which enables the discussion of both object and practice, as well as creating a model from which the object's biography can be evaluated.

This record has no associated files available for download.

More information

Published date: 2012
Organisations: Winchester School of Art

Identifiers

Local EPrints ID: 404471
URI: http://eprints.soton.ac.uk/id/eprint/404471
ISSN: 1475-9756
PURE UUID: bb7fadc8-9fa6-47ac-a882-d7d238403203

Catalogue record

Date deposited: 09 Jan 2017 14:54
Last modified: 15 Mar 2024 04:08

Export record

Altmetrics

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×