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On situating painting: An interview with Karin Kneffel

On situating painting: An interview with Karin Kneffel
On situating painting: An interview with Karin Kneffel
Karin Kneffel came to prominence in the 1990s, known for her finely rendered portraits of animals, interiors, and still life paintings. Her handling of light, shadow and the complex interplay of reflective surfaces leads to challenging illusionist spaces. Through striking juxtapositions, foreshortening, and exaggerated scales, Kneffel transforms otherwise overlooked objects. In this interview, the artist offers critical reflections on her practice. The interview is divided into three strands: (1) Situated Painting, begins with specific considerations about the political conditions within which one ‘works’ as an artist; (2) Situations of Painting, turns attention to painting as medium and form; and (3) Situating Painting, examines both practical and aesthetic considerations of displaying work, and in particular an exhibition at the Mies van der Rohe Pavilion in Barcelona.
2052-6695
157-176
Manghani, Sunil
75650a9a-458d-4e1a-9480-94491300e385
Manghani, Sunil
75650a9a-458d-4e1a-9480-94491300e385

Manghani, Sunil (2017) On situating painting: An interview with Karin Kneffel. Journal of Contemporary Painting, 3 (1-2), 157-176. (doi:10.1386/jcp.3.1-2.157_1).

Record type: Article

Abstract

Karin Kneffel came to prominence in the 1990s, known for her finely rendered portraits of animals, interiors, and still life paintings. Her handling of light, shadow and the complex interplay of reflective surfaces leads to challenging illusionist spaces. Through striking juxtapositions, foreshortening, and exaggerated scales, Kneffel transforms otherwise overlooked objects. In this interview, the artist offers critical reflections on her practice. The interview is divided into three strands: (1) Situated Painting, begins with specific considerations about the political conditions within which one ‘works’ as an artist; (2) Situations of Painting, turns attention to painting as medium and form; and (3) Situating Painting, examines both practical and aesthetic considerations of displaying work, and in particular an exhibition at the Mies van der Rohe Pavilion in Barcelona.

Text
Manghani-Kneffel-Interview-FINAL - Accepted Manuscript
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More information

Accepted/In Press date: 1 March 2017
e-pub ahead of print date: 1 April 2017
Organisations: Research Centre

Identifiers

Local EPrints ID: 406756
URI: http://eprints.soton.ac.uk/id/eprint/406756
ISSN: 2052-6695
PURE UUID: f3806eb8-ed3b-480d-bf72-945b7e5bcf73
ORCID for Sunil Manghani: ORCID iD orcid.org/0000-0001-6406-7456

Catalogue record

Date deposited: 22 Mar 2017 02:07
Last modified: 16 Mar 2024 05:09

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