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Feeling Film: A Spatial Approach

Feeling Film: A Spatial Approach
Feeling Film: A Spatial Approach
This book questions the de facto dominance of narrative when watching films. Using the film musical as a case study, this book explores whether an alternative spatial understanding of film can offer alternative readings to narrative. For instance, how do film aesthetics influence our interaction with the film? Can camera movement and music make us ‘feel’ cinema? Can the film world bleed into our own? Utilising film musicals ranging from those by Fred Astaire and Ginger Rogers to von Trier’s Dancer in the Dark (2000), Feeling Film: A Spatial Approach investigates how we might go about understanding the audience's spatial relationship with film aesthetics, what it might look like, and the tools needed to conduct analysis.
Musical, Film, sound, Space, Haptic, phenomenology, Gestalt, touch, senses
Palgrave Macmillan
Carroll, Elizabeth
6589ba1a-368c-4f46-a296-8cdc47039123
Carroll, Elizabeth
6589ba1a-368c-4f46-a296-8cdc47039123

Carroll, Elizabeth (2016) Feeling Film: A Spatial Approach (Palgrave Studies in Audio-Visual Culture), Palgrave Macmillan, 224pp.

Record type: Book

Abstract

This book questions the de facto dominance of narrative when watching films. Using the film musical as a case study, this book explores whether an alternative spatial understanding of film can offer alternative readings to narrative. For instance, how do film aesthetics influence our interaction with the film? Can camera movement and music make us ‘feel’ cinema? Can the film world bleed into our own? Utilising film musicals ranging from those by Fred Astaire and Ginger Rogers to von Trier’s Dancer in the Dark (2000), Feeling Film: A Spatial Approach investigates how we might go about understanding the audience's spatial relationship with film aesthetics, what it might look like, and the tools needed to conduct analysis.

Text
Beth Carroll Palgrave Edit - Author's Original
Restricted to Repository staff only

More information

Published date: 2016
Keywords: Musical, Film, sound, Space, Haptic, phenomenology, Gestalt, touch, senses
Organisations: Film

Identifiers

Local EPrints ID: 408550
URI: http://eprints.soton.ac.uk/id/eprint/408550
PURE UUID: 43abaf01-4f57-4b34-a764-e67d9e77b12d

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Date deposited: 23 May 2017 04:02
Last modified: 11 Apr 2024 16:36

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Author: Elizabeth Carroll

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