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The Self-Portrait: a Cultural History

The Self-Portrait: a Cultural History
The Self-Portrait: a Cultural History
In this broad cultural survey of self-portraiture, art historian and critic James Hall brilliantly maps the history of the genre, from the earliest myths of Narcissus and the Christian tradition of ‘bearing witness’ to the prolific self-image-making of today’s contemporary artists. His vivid account shows how artists’ depictions of themselves have been part of a continuing tradition that reaches back for centuries. Along the way he reveals the importance of the medieval ‘mirror craze’; the explosion of the genre during the Renaissance; the confessional self-portraits of Titian and Michelangelo; the role of biography for serial self-portraitists such as Courbet and van Gogh; themes of sex and genius in works by Munch, Bonnard and Modersohn-Becker; and the latest developments of the genre in the era of globalization

The full range of self-portraits is covered here, from comic and caricature self-portraits to ‘invented’ or imaginary ones, as well as key collections of self-portraiture such as that of the Medici in Florence. Throughout, Hall asks why – and when – artists have chosen to make self-portraits, and looks deeply into the worlds and mindsets of the artists who have created them. Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Alberti, Caravaggio, Courbet, Dürer, Emin, Gauguin, Giotto, Goya, Kahlo, Koons, Magritte, Mantegna, Picasso, Raphael, Rembrandt and Warhol. Offering a rich and lively history, The Self-Portrait is an essential read for all those interested in this most enduringly popular and humane of art forms.
self-portraiture
Thames & Hudson
Hall, James
48dd240e-f874-4d3a-9c4a-17464d5d14c6
Hall, James
48dd240e-f874-4d3a-9c4a-17464d5d14c6

Hall, James (2014) The Self-Portrait: a Cultural History , London and New York. Thames & Hudson, 288pp.

Record type: Book

Abstract

In this broad cultural survey of self-portraiture, art historian and critic James Hall brilliantly maps the history of the genre, from the earliest myths of Narcissus and the Christian tradition of ‘bearing witness’ to the prolific self-image-making of today’s contemporary artists. His vivid account shows how artists’ depictions of themselves have been part of a continuing tradition that reaches back for centuries. Along the way he reveals the importance of the medieval ‘mirror craze’; the explosion of the genre during the Renaissance; the confessional self-portraits of Titian and Michelangelo; the role of biography for serial self-portraitists such as Courbet and van Gogh; themes of sex and genius in works by Munch, Bonnard and Modersohn-Becker; and the latest developments of the genre in the era of globalization

The full range of self-portraits is covered here, from comic and caricature self-portraits to ‘invented’ or imaginary ones, as well as key collections of self-portraiture such as that of the Medici in Florence. Throughout, Hall asks why – and when – artists have chosen to make self-portraits, and looks deeply into the worlds and mindsets of the artists who have created them. Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Alberti, Caravaggio, Courbet, Dürer, Emin, Gauguin, Giotto, Goya, Kahlo, Koons, Magritte, Mantegna, Picasso, Raphael, Rembrandt and Warhol. Offering a rich and lively history, The Self-Portrait is an essential read for all those interested in this most enduringly popular and humane of art forms.

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More information

Published date: 31 March 2014
Keywords: self-portraiture
Organisations: Research Centre

Identifiers

Local EPrints ID: 408796
URI: http://eprints.soton.ac.uk/id/eprint/408796
PURE UUID: d41c0e30-f564-4881-b9de-ec6712cda1f0

Catalogue record

Date deposited: 28 May 2017 04:01
Last modified: 02 Mar 2021 17:31

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