Asyntactic Contact with Fleshless Words: Con/tactile Aesth/Ethics in The Castle
Asyntactic Contact with Fleshless Words: Con/tactile Aesth/Ethics in The Castle
In this article the thrust of the argument is that the moment of con/
tactile aesth/ethics and its correlates form the fulcrum of the play on which its
dynamics turn. The argument is proposing a belated aesth/ethic relationship
between Ann and Krak (representing the phallogocentric discourse) concomitant
with an aesthetics of the self and ethics of alterity and event, in which aesth/ethic
is defined in terms of exposure and responsivity to the Other, transitivism of
corporeal traces between ipseity and alterity, resulting in the dehiscence and
connaissance of both parties in a chiasmatic contact.
279-297
Fakhrkonandeh, Alireza
01a37fed-90cb-4b0c-a72e-32276e951e5f
20 December 2013
Fakhrkonandeh, Alireza
01a37fed-90cb-4b0c-a72e-32276e951e5f
Fakhrkonandeh, Alireza
(2013)
Asyntactic Contact with Fleshless Words: Con/tactile Aesth/Ethics in The Castle.
Journal of Contemporary Drama in English, 1 (2), , [5].
Abstract
In this article the thrust of the argument is that the moment of con/
tactile aesth/ethics and its correlates form the fulcrum of the play on which its
dynamics turn. The argument is proposing a belated aesth/ethic relationship
between Ann and Krak (representing the phallogocentric discourse) concomitant
with an aesthetics of the self and ethics of alterity and event, in which aesth/ethic
is defined in terms of exposure and responsivity to the Other, transitivism of
corporeal traces between ipseity and alterity, resulting in the dehiscence and
connaissance of both parties in a chiasmatic contact.
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Published date: 20 December 2013
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English
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Local EPrints ID: 409051
URI: http://eprints.soton.ac.uk/id/eprint/409051
ISSN: 2195-0164
PURE UUID: 4879e05c-6905-464c-a81b-f35769f58bb2
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Date deposited: 28 May 2017 04:05
Last modified: 08 Jan 2022 01:18
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