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The artist as interlocutor and the labour of memory

The artist as interlocutor and the labour of memory
The artist as interlocutor and the labour of memory
89-99
Routledge
Brebenel, Mihaela
3578cace-a19b-4996-8c5b-f5dc7164da3f
Collier, Christopher
6c546f8d-87b2-4adf-b302-8d1c27805d53
Figiel, Joanna
3b8bd24e-6357-4998-8b22-e83e45fa6fc3
Chambers, Iain
De Angelis, Alessandra
Ianniciello, Celeste
Orabona, Mariangela
Brebenel, Mihaela
3578cace-a19b-4996-8c5b-f5dc7164da3f
Collier, Christopher
6c546f8d-87b2-4adf-b302-8d1c27805d53
Figiel, Joanna
3b8bd24e-6357-4998-8b22-e83e45fa6fc3
Chambers, Iain
De Angelis, Alessandra
Ianniciello, Celeste
Orabona, Mariangela

Brebenel, Mihaela, Collier, Christopher and Figiel, Joanna (2014) The artist as interlocutor and the labour of memory. In, Chambers, Iain, De Angelis, Alessandra, Ianniciello, Celeste and Orabona, Mariangela (eds.) The Postcolonial Museum: the Arts of Memory and the Pressures of History. 1st ed. Farnham. Routledge, pp. 89-99.

Record type: Book Section
Text
The Artist as Interlocutor and the Labour of Memory. Brebenel, Collier, Figiel
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Published date: 2014
Organisations: Winchester School of Art

Identifiers

Local EPrints ID: 409579
URI: http://eprints.soton.ac.uk/id/eprint/409579
PURE UUID: 13f53e7c-fb7a-4fe9-8724-14618fb46694

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Date deposited: 31 May 2017 04:01
Last modified: 15 Mar 2024 14:13

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Contributors

Author: Christopher Collier
Author: Joanna Figiel
Editor: Iain Chambers
Editor: Alessandra De Angelis
Editor: Celeste Ianniciello
Editor: Mariangela Orabona

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