Hamlet in Pakistan
Hamlet in Pakistan
This thesis tests and questions the concept of revenge in Hamlet against the context of Pukhtun culture in the Khyber Pukhtunkhwa (KP) province of Pakistan. As this study seeks to understand the emotive meaning of revenge in a range of cultural contexts, I explore the way in which Hamlet is read and interpreted in a culture where revenge, as in the debased form of badal, is both current and pervasive. The KP universities‘ students who belong to the culture, where revenge is considered obligatory, tend to identify themselves with various characters of the play, particularly Hamlet. This study seeks to ascertain the experience of the play as a dramaturgical construct which questions the revenge ethos capable of modifying entrenched beliefs among young Pakistanis engaged in reading the play at KP universities. As a result, I explore the role and use of Hamlet as an educational tool to combat revenge practices in Pakistan. This research contributes to the growing work on Shakespeare criticism and performance in different cultures around the world by presenting the relevant appropriations of the play in Pakistan and worldwide.
University of Southampton
Sharif, Mohammad Muazzam
5f3d15a4-3864-416e-8c23-68fab47a770f
April 2017
Sharif, Mohammad Muazzam
5f3d15a4-3864-416e-8c23-68fab47a770f
King, Ros
7b27456c-0da8-432b-a82f-ee19af23d4fb
Hunt, Alice
cee21a10-a12b-4e52-8d89-2842ab8b4a31
Sharif, Mohammad Muazzam
(2017)
Hamlet in Pakistan.
University of Southampton, Doctoral Thesis, 304pp.
Record type:
Thesis
(Doctoral)
Abstract
This thesis tests and questions the concept of revenge in Hamlet against the context of Pukhtun culture in the Khyber Pukhtunkhwa (KP) province of Pakistan. As this study seeks to understand the emotive meaning of revenge in a range of cultural contexts, I explore the way in which Hamlet is read and interpreted in a culture where revenge, as in the debased form of badal, is both current and pervasive. The KP universities‘ students who belong to the culture, where revenge is considered obligatory, tend to identify themselves with various characters of the play, particularly Hamlet. This study seeks to ascertain the experience of the play as a dramaturgical construct which questions the revenge ethos capable of modifying entrenched beliefs among young Pakistanis engaged in reading the play at KP universities. As a result, I explore the role and use of Hamlet as an educational tool to combat revenge practices in Pakistan. This research contributes to the growing work on Shakespeare criticism and performance in different cultures around the world by presenting the relevant appropriations of the play in Pakistan and worldwide.
Text
Hamlet in Pakistan
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Published date: April 2017
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Local EPrints ID: 417235
URI: http://eprints.soton.ac.uk/id/eprint/417235
PURE UUID: 57009c4b-d16c-4e10-bd4b-6250011ece5c
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Date deposited: 26 Jan 2018 17:30
Last modified: 15 Mar 2024 18:03
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