Peter Roehr: Field Pulsations: Avant-Garde Artist of the 1960s
Peter Roehr: Field Pulsations: Avant-Garde Artist of the 1960s
This publication, featuring the book-length essay “Field Pulsations” by Sarah Hayden and Paul Hegarty, is the first comprehensive monograph on the work of Peter Roehr. Peter Roehr (1944-1968) has been one of the significant early German conceptual artists of the 1960s. Like so many European artist, let alone those working outside of the Western cultural structures, Roehr has been marginalized form the canon of global mid-century trends. In “Field Pulsations” Sarah Hayden and Paul Hegarty analyze the extent of Roehr’s achievement across text, film, sound, objects, photographs and curated exhibitions, all within the terrain of serial form. Moreover, a detailed chronology traces the biography of the artist in the context of developments in art during the 1960s.
Hayden, Sarah
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Hegarty, Paul
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Wiehager, Renate
bbeee891-eb38-4d11-92ec-25c5c22c922f
2018
Hayden, Sarah
cf6b5dc1-acda-4983-83e6-ad2d96e73764
Hegarty, Paul
5e3e4eec-c93d-46ce-840a-1a1b9bead4bc
Wiehager, Renate
bbeee891-eb38-4d11-92ec-25c5c22c922f
Hayden, Sarah and Hegarty, Paul
,
Wiehager, Renate
(ed.)
(2018)
Peter Roehr: Field Pulsations: Avant-Garde Artist of the 1960s
,
Cologne.
Snoeck Publishers, 408pp.
Abstract
This publication, featuring the book-length essay “Field Pulsations” by Sarah Hayden and Paul Hegarty, is the first comprehensive monograph on the work of Peter Roehr. Peter Roehr (1944-1968) has been one of the significant early German conceptual artists of the 1960s. Like so many European artist, let alone those working outside of the Western cultural structures, Roehr has been marginalized form the canon of global mid-century trends. In “Field Pulsations” Sarah Hayden and Paul Hegarty analyze the extent of Roehr’s achievement across text, film, sound, objects, photographs and curated exhibitions, all within the terrain of serial form. Moreover, a detailed chronology traces the biography of the artist in the context of developments in art during the 1960s.
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More information
Published date: 2018
Additional Information:
In English, with German translation on pages 314-408.
Identifiers
Local EPrints ID: 418603
URI: http://eprints.soton.ac.uk/id/eprint/418603
PURE UUID: 5fc704a5-5103-4901-bb47-21c43ac7cbe2
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Date deposited: 12 Mar 2018 17:30
Last modified: 20 Feb 2024 17:39
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Contributors
Author:
Paul Hegarty
Editor:
Renate Wiehager
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