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Where are we now?

Where are we now?
Where are we now?

This article offers generalised reflections on current aesthetic interests and values within the field of new music. Critical composition and postmodernism are considered for the relevance these historic positions might hold today. Then two important trends of the past decade are presented: first, music that draws attention toward the sounding shape and act of listening, reflecting the recent surge of interest in materialism across academic and artistic disciplines; and second, pieces that include aspects such as physical action, lighting and theatrical approaches to expand the possibilities of concert hall work beyond the purely sonic.

0040-2982
70-73
Shlomowitz, Matthew
4d248938-3837-4d7a-9c2f-a4fbf76417e0
Shlomowitz, Matthew
4d248938-3837-4d7a-9c2f-a4fbf76417e0

Shlomowitz, Matthew (2018) Where are we now? Tempo, 72 (285), 70-73. (doi:10.1017/S0040298218000116).

Record type: Article

Abstract

This article offers generalised reflections on current aesthetic interests and values within the field of new music. Critical composition and postmodernism are considered for the relevance these historic positions might hold today. Then two important trends of the past decade are presented: first, music that draws attention toward the sounding shape and act of listening, reflecting the recent surge of interest in materialism across academic and artistic disciplines; and second, pieces that include aspects such as physical action, lighting and theatrical approaches to expand the possibilities of concert hall work beyond the purely sonic.

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More information

e-pub ahead of print date: 19 June 2018
Published date: 1 July 2018

Identifiers

Local EPrints ID: 424829
URI: http://eprints.soton.ac.uk/id/eprint/424829
ISSN: 0040-2982
PURE UUID: 791c2610-4c53-4f7f-887f-df32599b39ad

Catalogue record

Date deposited: 05 Oct 2018 11:49
Last modified: 15 Mar 2024 20:42

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