A dialogic reverberation between Thomas Hardy’s The Return of the Native (1878) and Shen Congwen’s Long River (1938-45)
A dialogic reverberation between Thomas Hardy’s The Return of the Native (1878) and Shen Congwen’s Long River (1938-45)
Evidence shows that an influence study between Thomas Hardy and Shen Congwen is not as fruitful as a parallel study. With this in mind, this paper adopts Qi Shouhua’s revision of Mikhail Bakhtin's theory of ‘dialogic reverberations’ to explore the shared dialectic between Nature and culture, shown through the use of both naïve and poetic languages, common to both Hardy and Shen’s regional novels. The mediations between these two kinds of languages in the narratives and characterisations in Hardy’s The Return of the Native (1878) and Shen’s Long River (1938-45) dissolves the dichotomy between Nature and culture and connects modernity with a re-enchanted Nature. Through close comparison, this paper argues that the dialogic reverberations between these two writers reveal more about their novels than an analysis that reads the literature of each author in isolation.
Thomas Hardy, Shen Congwen, comparative literature, nature
72-91
Liu, Yuejie
66c19a7f-7ecf-45dc-8c07-12a7e89ea88a
April 2019
Liu, Yuejie
66c19a7f-7ecf-45dc-8c07-12a7e89ea88a
Liu, Yuejie
(2019)
A dialogic reverberation between Thomas Hardy’s The Return of the Native (1878) and Shen Congwen’s Long River (1938-45).
Romance, Revolution and Reform, (1), .
Abstract
Evidence shows that an influence study between Thomas Hardy and Shen Congwen is not as fruitful as a parallel study. With this in mind, this paper adopts Qi Shouhua’s revision of Mikhail Bakhtin's theory of ‘dialogic reverberations’ to explore the shared dialectic between Nature and culture, shown through the use of both naïve and poetic languages, common to both Hardy and Shen’s regional novels. The mediations between these two kinds of languages in the narratives and characterisations in Hardy’s The Return of the Native (1878) and Shen’s Long River (1938-45) dissolves the dichotomy between Nature and culture and connects modernity with a re-enchanted Nature. Through close comparison, this paper argues that the dialogic reverberations between these two writers reveal more about their novels than an analysis that reads the literature of each author in isolation.
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RRR_No1_5Liu_Impossible_Narrative
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Published date: April 2019
Keywords:
Thomas Hardy, Shen Congwen, comparative literature, nature
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Local EPrints ID: 431857
URI: http://eprints.soton.ac.uk/id/eprint/431857
ISSN: 2517-7850
PURE UUID: 1c52d39c-f549-48c8-99ad-ea89b0453c7f
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Date deposited: 19 Jun 2019 16:30
Last modified: 16 Mar 2024 02:04
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Author:
Yuejie Liu
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