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Credit culture: the politics of money in the American novel of the 1970s

Credit culture: the politics of money in the American novel of the 1970s
Credit culture: the politics of money in the American novel of the 1970s
This book offers a new reading of the relationship between money, culture and literature in America in the 1970s. The gold standard ended at the start of this decade, a moment which is routinely treated as a catalyst for the era of postmodern abstraction. This book provides an alternative narrative, one that traces the racialized and gendered histories of credit offered by the intertextual narratives of writers such as E.L Doctorow, Toni Morrison, Marilyn French, William Gaddis, Thomas Pynchon and Don De Lillo. It argues that money in the 1970s is better read through a narrative of political consolidation than formal rupture as these histories foreground the closing down, rather than opening up, of serious debates about what American money should be and who it should serve. These novels and this moment remain important because they alert us to imagine the alternative histories of credit that were imaginatively proposed but never realized.
Cambridge University Press
Marsh, Nicky
52e4155d-1989-4b19-83ad-ffa5d078dd6a
Marsh, Nicky
52e4155d-1989-4b19-83ad-ffa5d078dd6a

Marsh, Nicky (2020) Credit culture: the politics of money in the American novel of the 1970s , Cambridge. Cambridge University Press, 209pp.

Record type: Book

Abstract

This book offers a new reading of the relationship between money, culture and literature in America in the 1970s. The gold standard ended at the start of this decade, a moment which is routinely treated as a catalyst for the era of postmodern abstraction. This book provides an alternative narrative, one that traces the racialized and gendered histories of credit offered by the intertextual narratives of writers such as E.L Doctorow, Toni Morrison, Marilyn French, William Gaddis, Thomas Pynchon and Don De Lillo. It argues that money in the 1970s is better read through a narrative of political consolidation than formal rupture as these histories foreground the closing down, rather than opening up, of serious debates about what American money should be and who it should serve. These novels and this moment remain important because they alert us to imagine the alternative histories of credit that were imaginatively proposed but never realized.

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More information

Accepted/In Press date: 1 June 2019
e-pub ahead of print date: June 2020
Published date: 2020

Identifiers

Local EPrints ID: 432207
URI: http://eprints.soton.ac.uk/id/eprint/432207
PURE UUID: ed0fca43-7ae0-4266-9f43-271588e393c1

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Date deposited: 04 Jul 2019 16:30
Last modified: 16 Mar 2024 02:36

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