Partners in suspense: Critical essays on Bernard Herrmann and Alfred Hitchcock
Partners in suspense: Critical essays on Bernard Herrmann and Alfred Hitchcock
This volume of spellbinding essays explores the tense relationship between Alfred Hitchcock and Bernard Herrmann, providing new perspectives on their collaboration. Featuring chapters by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, the collection examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom.
Examining key works, including The Man Who Knew Too Much, Psycho, Marnie and Vertigo, the essays explore approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films, examining the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the book explores the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways in which such partnerships inspire later work.
Manchester University Press
Rawle, Steve
16d347b9-fa2b-45a5-8bd6-7e8a4ff608bd
Donnelly, Kevin J.
b31cebde-a9cf-48c9-a573-97782cd2a5c0
December 2016
Rawle, Steve
16d347b9-fa2b-45a5-8bd6-7e8a4ff608bd
Donnelly, Kevin J.
b31cebde-a9cf-48c9-a573-97782cd2a5c0
Rawle, Steve and Donnelly, Kevin J.
(eds.)
(2016)
Partners in suspense: Critical essays on Bernard Herrmann and Alfred Hitchcock
,
Manchester.
Manchester University Press, 240pp.
Abstract
This volume of spellbinding essays explores the tense relationship between Alfred Hitchcock and Bernard Herrmann, providing new perspectives on their collaboration. Featuring chapters by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, the collection examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom.
Examining key works, including The Man Who Knew Too Much, Psycho, Marnie and Vertigo, the essays explore approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films, examining the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the book explores the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways in which such partnerships inspire later work.
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Published date: December 2016
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Local EPrints ID: 433005
URI: http://eprints.soton.ac.uk/id/eprint/433005
PURE UUID: fdef0b3b-aec8-43c4-810a-495530282d3e
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Date deposited: 06 Aug 2019 16:30
Last modified: 12 Dec 2021 05:55
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Contributors
Editor:
Steve Rawle
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