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High frequency click-evoked otoacoustic emission measurements using maximum length sequences

High frequency click-evoked otoacoustic emission measurements using maximum length sequences
High frequency click-evoked otoacoustic emission measurements using maximum length sequences
The aim of the study was to compare high-frequency components (4-8 kHz) of click-evoked otoacoustic emissions (CEOAEs) recorded using two different stimulus paradigms: the double-evoked (DE) paradigm, which uses two earphones, and the rate-derived nonlinear (RDNL) paradigm, which uses maximum length sequences (MLS) in a single ear-phone. Recordings were made in 20 otologically normal ears, and the results compared in terms of the apparent stimulus artefacts, and the presence of high-frequency CEOAEs. The correlation between CEOAEs amplitudes and DPOAE amplitudes from 4-8 kHz were also calculated. The results showed that, for both paradigms, the stimulus artefacts were of similar amplitudes and had largely decayed by around 1.5-2 ms post stimulus. Though similar in amplitude, the morphology of the artefacts in the two paradigms showed some differences, suggesting a possible means of identification. The CEOAE waveforms (post 2 ms) were very similar in both paradigms, and contained significant energy from 4-8 kHz. The amplitude correlated with the mean DPOAE amplitude from 4-8 kHz (R = 0.7; p <0.001).
otoacoustic emissions, maximum length sequences, double evoked
American Institute of Physics
Lineton, B.
1ace4e96-34da-4fc4-bc17-a1d82b2ba0e2
Sohal, R.
86e98638-a0b7-42bf-93e5-fe910d183f43
Harvey, E.
c58d0ce7-35e7-4245-9c18-fba8a39eabc4
Thornton, A.R.D.
ab0ca157-003d-412d-b89a-420467206477
Shera, C.A.
Olson, E.S.
Lineton, B.
1ace4e96-34da-4fc4-bc17-a1d82b2ba0e2
Sohal, R.
86e98638-a0b7-42bf-93e5-fe910d183f43
Harvey, E.
c58d0ce7-35e7-4245-9c18-fba8a39eabc4
Thornton, A.R.D.
ab0ca157-003d-412d-b89a-420467206477
Shera, C.A.
Olson, E.S.

Lineton, B., Sohal, R., Harvey, E. and Thornton, A.R.D. (2011) High frequency click-evoked otoacoustic emission measurements using maximum length sequences. Shera, C.A. and Olson, E.S. (eds.) In What Fire is in Mine Ears: Progress in Auditory Biomechanics. vol. 1403, American Institute of Physics.. (doi:10.1063/1.3658100).

Record type: Conference or Workshop Item (Paper)

Abstract

The aim of the study was to compare high-frequency components (4-8 kHz) of click-evoked otoacoustic emissions (CEOAEs) recorded using two different stimulus paradigms: the double-evoked (DE) paradigm, which uses two earphones, and the rate-derived nonlinear (RDNL) paradigm, which uses maximum length sequences (MLS) in a single ear-phone. Recordings were made in 20 otologically normal ears, and the results compared in terms of the apparent stimulus artefacts, and the presence of high-frequency CEOAEs. The correlation between CEOAEs amplitudes and DPOAE amplitudes from 4-8 kHz were also calculated. The results showed that, for both paradigms, the stimulus artefacts were of similar amplitudes and had largely decayed by around 1.5-2 ms post stimulus. Though similar in amplitude, the morphology of the artefacts in the two paradigms showed some differences, suggesting a possible means of identification. The CEOAE waveforms (post 2 ms) were very similar in both paradigms, and contained significant energy from 4-8 kHz. The amplitude correlated with the mean DPOAE amplitude from 4-8 kHz (R = 0.7; p <0.001).

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More information

Published date: 7 November 2011
Additional Information: 11th International Workshop on the Mechanics of Hearing, Williams Coll, Williamstown, MA, JUL 16-22, 2011
Keywords: otoacoustic emissions, maximum length sequences, double evoked

Identifiers

Local EPrints ID: 433062
URI: http://eprints.soton.ac.uk/id/eprint/433062
PURE UUID: dc15f5b7-1865-454f-8d35-9b9824d4b5d7
ORCID for B. Lineton: ORCID iD orcid.org/0000-0003-4784-7762

Catalogue record

Date deposited: 07 Aug 2019 16:30
Last modified: 16 Mar 2024 03:31

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Contributors

Author: B. Lineton ORCID iD
Author: R. Sohal
Author: E. Harvey
Author: A.R.D. Thornton
Editor: C.A. Shera
Editor: E.S. Olson

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