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Introduction

Introduction
Introduction
This introductory chapter examines the intersections between embodiment, material culture, and Charlotte Brontë’s life and writing. It charts the evolution of Brontë studies following the rise of New Historicism and seminal scholarship from the 1990s and early 2000s by critics and biographers such as Christine Alexander and Jane Sellars, Juliet Barker, Lucasta Miller, Sally Shuttleworth, and Margaret Smith. The chapter goes on to discuss how the “material turn” and recent theories of embodiment inform twenty-first -century approaches to the presentation and reception of Brontë’s art, life, and legacy. Focusing on the interdisciplinary conversations that comprise the volume, the editors discuss how book history, cultural heritage, the history of dress, literary criticism, and museum curation prove vital to understanding the ways in which readers have responded to Brontë’s work from its original publication to the present day.
1-23
Palgrave Macmillan
Pizzo, Justine
361ed39e-7af3-446d-b290-78e5aa9acdcf
Houghton, Eleanor
ebd40333-44ed-4bec-a03c-062f4e0b4515
Pizzo, J.
Houghton, E.
Pizzo, Justine
361ed39e-7af3-446d-b290-78e5aa9acdcf
Houghton, Eleanor
ebd40333-44ed-4bec-a03c-062f4e0b4515
Pizzo, J.
Houghton, E.

Pizzo, Justine and Houghton, Eleanor (2020) Introduction. In, Pizzo, J. and Houghton, E. (eds.) Charlotte Brontë, Embodiment and the Material World. (Palgrave Studies in Nineteenth-Century Writing and Culture) Cham. Palgrave Macmillan, pp. 1-23. (doi:10.1007/978-3-030-34855-7_1).

Record type: Book Section

Abstract

This introductory chapter examines the intersections between embodiment, material culture, and Charlotte Brontë’s life and writing. It charts the evolution of Brontë studies following the rise of New Historicism and seminal scholarship from the 1990s and early 2000s by critics and biographers such as Christine Alexander and Jane Sellars, Juliet Barker, Lucasta Miller, Sally Shuttleworth, and Margaret Smith. The chapter goes on to discuss how the “material turn” and recent theories of embodiment inform twenty-first -century approaches to the presentation and reception of Brontë’s art, life, and legacy. Focusing on the interdisciplinary conversations that comprise the volume, the editors discuss how book history, cultural heritage, the history of dress, literary criticism, and museum curation prove vital to understanding the ways in which readers have responded to Brontë’s work from its original publication to the present day.

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Published date: 10 June 2020

Identifiers

Local EPrints ID: 442509
URI: http://eprints.soton.ac.uk/id/eprint/442509
PURE UUID: 6b2b00ff-eb12-4f03-b7c7-265a1780a63b
ORCID for Justine Pizzo: ORCID iD orcid.org/0009-0002-4012-4967

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Date deposited: 17 Jul 2020 16:30
Last modified: 17 Oct 2024 01:46

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Contributors

Author: Justine Pizzo ORCID iD
Author: Eleanor Houghton
Editor: J. Pizzo
Editor: E. Houghton

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