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Acoustics and spatial sound distribution in the theatre comunale in Bologna, Italy

Acoustics and spatial sound distribution in the theatre comunale in Bologna, Italy
Acoustics and spatial sound distribution in the theatre comunale in Bologna, Italy

The acoustic quality of concert halls is extremely relevant for the modeling and simulation of the global music experience and for improving the acoustic design of music spaces. Furthermore, the acoustic characteristics of historical opera houses are considered to be one of the most important intangible elements of the cultural heritage of Italian history. An important Italian opera house is the theatre “Comunale” in Bologna (designed in the 18th Century by Galli Bibiena), and has a particular characteristic: the shape of the balconies and the materials with which they were constructed are different from those of a classical Italian opera house. This special feature of the balconies affects the listening conditions related to the position of sound sources on the stage and in the orchestra pit. This study investigates the acoustic properties of this important theatre in order to reproduce the sound properties by means of a 3D auralization. For describing the spatial sound characteristics of the hall, an experimental campaign was carried out. An omnidirectional, pre-equalized sound source was installed in the orchestra pit and on stage, and a dummy head was put in several listening positions on the balconies and in the stalls, accomplished with a B-format (soundfield) microphone. Moreover, the special features of the ACF (autocorrelation function) and the IACC (InterAural Cross Correlation) and other acoustic parameters were measured experimentally in order to reproduce them in the listening room “Arlecchino” at the laboratory of University of Bologna, by means of the Stereo Dipole and Ambisonics technique. The main results from the experiments are reported in this paper.

239-244
Free University of Bozen-Bolzano
Manfren, Massimiliano
f2b8c02d-cb78-411d-aed1-c4d056365392
Nastasi, Benedetto
0d19eabe-134e-4cbe-9912-ff4c095410cd
Merli, Francesca
c9b7b0ce-9b5c-4858-a8f2-6d1e79420421
Vodola, Vincenzo
2331a583-1fee-47f3-8d5a-529da9c73e84
Pernigotto, Giovanni
Patuzzi, Francesco
Prada, Alessandro
Corrado, Vincenzo
Gasparella, Andrea
Manfren, Massimiliano
f2b8c02d-cb78-411d-aed1-c4d056365392
Nastasi, Benedetto
0d19eabe-134e-4cbe-9912-ff4c095410cd
Merli, Francesca
c9b7b0ce-9b5c-4858-a8f2-6d1e79420421
Vodola, Vincenzo
2331a583-1fee-47f3-8d5a-529da9c73e84
Pernigotto, Giovanni
Patuzzi, Francesco
Prada, Alessandro
Corrado, Vincenzo
Gasparella, Andrea

Manfren, Massimiliano, Nastasi, Benedetto, Merli, Francesca and Vodola, Vincenzo (2020) Acoustics and spatial sound distribution in the theatre comunale in Bologna, Italy. Pernigotto, Giovanni, Patuzzi, Francesco, Prada, Alessandro, Corrado, Vincenzo and Gasparella, Andrea (eds.) In Building Simulation Applications, BSA 2019 - 4th IBPSA-Italy Conference. vol. 2020-June, Free University of Bozen-Bolzano. pp. 239-244 . (In Press)

Record type: Conference or Workshop Item (Paper)

Abstract

The acoustic quality of concert halls is extremely relevant for the modeling and simulation of the global music experience and for improving the acoustic design of music spaces. Furthermore, the acoustic characteristics of historical opera houses are considered to be one of the most important intangible elements of the cultural heritage of Italian history. An important Italian opera house is the theatre “Comunale” in Bologna (designed in the 18th Century by Galli Bibiena), and has a particular characteristic: the shape of the balconies and the materials with which they were constructed are different from those of a classical Italian opera house. This special feature of the balconies affects the listening conditions related to the position of sound sources on the stage and in the orchestra pit. This study investigates the acoustic properties of this important theatre in order to reproduce the sound properties by means of a 3D auralization. For describing the spatial sound characteristics of the hall, an experimental campaign was carried out. An omnidirectional, pre-equalized sound source was installed in the orchestra pit and on stage, and a dummy head was put in several listening positions on the balconies and in the stalls, accomplished with a B-format (soundfield) microphone. Moreover, the special features of the ACF (autocorrelation function) and the IACC (InterAural Cross Correlation) and other acoustic parameters were measured experimentally in order to reproduce them in the listening room “Arlecchino” at the laboratory of University of Bologna, by means of the Stereo Dipole and Ambisonics technique. The main results from the experiments are reported in this paper.

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More information

Accepted/In Press date: 25 June 2020
Venue - Dates: 4th IBPSA-Italy Conference on Building Simulation Applications, BSA 2019, , Bozen-Bolzano, Italy, 2020-06-19 - 2020-06-21

Identifiers

Local EPrints ID: 444026
URI: http://eprints.soton.ac.uk/id/eprint/444026
PURE UUID: bb7e08e3-d9ac-4cd8-abd7-4cb2d094612c
ORCID for Massimiliano Manfren: ORCID iD orcid.org/0000-0003-1438-970X

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Date deposited: 22 Sep 2020 16:54
Last modified: 18 Mar 2024 03:40

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Contributors

Author: Benedetto Nastasi
Author: Francesca Merli
Author: Vincenzo Vodola
Editor: Giovanni Pernigotto
Editor: Francesco Patuzzi
Editor: Alessandro Prada
Editor: Vincenzo Corrado
Editor: Andrea Gasparella

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