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Bond rebooted: the transnational appeal of the Daniel Craig Bond films

Bond rebooted: the transnational appeal of the Daniel Craig Bond films
Bond rebooted: the transnational appeal of the Daniel Craig Bond films
The four most recent Bond films starring Daniel Craig have been amongst the most globally successful films of the twenty-first century. We argue the transnational appeal of these films can only be partly explained by their textual attractions, such as the way they play out ideas of British identify. A large part of their success also depends on the business of Bond, from the ownership of rights to the distribution of the films. Indeed, our focus group interviews with audiences in continental Europe reveal an ambivalence about whether the Bond character and the Bond films are perceived as British or American – an ambivalence that actually extends the appeal of the films to different audiences. This chapter therefore provides new insights into Bond’s enduring transnational appeal.
James Bond, audience research, British national identity, film distribution, film industry
103-122
Amsterdam University Press
Jones, Huw D.
8a9d536b-2b68-41be-a1a6-da9aff14ec63
Higson, Andrew
25c66ab1-3779-41e0-aa8b-5fb33df69c08
Verheul, Jaap
Jones, Huw D.
8a9d536b-2b68-41be-a1a6-da9aff14ec63
Higson, Andrew
25c66ab1-3779-41e0-aa8b-5fb33df69c08
Verheul, Jaap

Jones, Huw D. and Higson, Andrew (2020) Bond rebooted: the transnational appeal of the Daniel Craig Bond films. In, Verheul, Jaap (ed.) The Cultural Life of James Bond: Specters of 007. Amsterdam. Amsterdam University Press, pp. 103-122.

Record type: Book Section

Abstract

The four most recent Bond films starring Daniel Craig have been amongst the most globally successful films of the twenty-first century. We argue the transnational appeal of these films can only be partly explained by their textual attractions, such as the way they play out ideas of British identify. A large part of their success also depends on the business of Bond, from the ownership of rights to the distribution of the films. Indeed, our focus group interviews with audiences in continental Europe reveal an ambivalence about whether the Bond character and the Bond films are perceived as British or American – an ambivalence that actually extends the appeal of the films to different audiences. This chapter therefore provides new insights into Bond’s enduring transnational appeal.

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Published date: 15 October 2020
Keywords: James Bond, audience research, British national identity, film distribution, film industry

Identifiers

Local EPrints ID: 445168
URI: http://eprints.soton.ac.uk/id/eprint/445168
PURE UUID: 69dd4ca1-cdff-49ac-ba2a-2d2bb636a81c
ORCID for Huw D. Jones: ORCID iD orcid.org/0000-0002-6446-9575

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Date deposited: 24 Nov 2020 17:32
Last modified: 17 Mar 2024 03:48

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Contributors

Author: Huw D. Jones ORCID iD
Author: Andrew Higson
Editor: Jaap Verheul

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