The University of Southampton
University of Southampton Institutional Repository

Displaced metaphor as madness? A critical-clinical study of schizophrenia in Joe Penhall's Blue/Orange

Displaced metaphor as madness? A critical-clinical study of schizophrenia in Joe Penhall's Blue/Orange
Displaced metaphor as madness? A critical-clinical study of schizophrenia in Joe Penhall's Blue/Orange
No other trope captures the perceived complexity of schizophrenia and the epistemological, clinical, ethical and phenomenological aporias it poses than the phrase “the sublime object of psychiatry” (Angela Woods). The same trope of “sublimity” can be extended to the field of modern and contemporary drama where schizophrenia has not only proved a recurring thematic preoccupation, but has persistently been utilized as a paradigmatic case for illustrating the limits of social-cultural, moral, existential, and psychological crisis. “Sublimity”, however, instigates further complications and problems by mystifying the nature and experience of schizophrenia rather than contributing to the development of a clearer account of it. A conspicuous case of the critique of this treatment of schizophrenia in terms of the “sublime” can be found in Penhall’s two dramatic works: Some Voices (1993) and Blue/Orange (2000). What distinguishes Penhall’s treatment of schizophrenia, this essay will argue, are two salient features: its method (the critical-clinical) and its simultaneously symptomatic and symptomatological treatment of schizophrenia. What further distinguishes Penhall’s critical depiction of schizophrenia is his insistence that the cultural is as crucial as the clinical in the experience, representation, and perception of schizophrenia. This is attested by his acute inclusion of such crucial issues as race, class, discourse, and gender as highly determining elements in the experience, perceptions and diagnosis of schizophrenia. Taking Blue/Orange as its focal point, and conjoining a critical-clinical approach (Deleuze) with the insights derived from psychoanalysis as well as cultural anthropology and sociology of race, this essay will demonstrate how Blue-Orange presents a critical-clinical account of the limits of various discursively-determined treatments of schizophrenia (including both psychiatry and anti-psychiatry) thereby accentuating the necessity of developing more holistic method in the cultural and clinical treatments of schizophrenia.
1744-4217
1-35
Fakhrkonandeh, Alireza
01a37fed-90cb-4b0c-a72e-32276e951e5f
Fakhrkonandeh, Alireza
01a37fed-90cb-4b0c-a72e-32276e951e5f

Fakhrkonandeh, Alireza (2021) Displaced metaphor as madness? A critical-clinical study of schizophrenia in Joe Penhall's Blue/Orange. English Studies, 1-35, [1]. (In Press)

Record type: Article

Abstract

No other trope captures the perceived complexity of schizophrenia and the epistemological, clinical, ethical and phenomenological aporias it poses than the phrase “the sublime object of psychiatry” (Angela Woods). The same trope of “sublimity” can be extended to the field of modern and contemporary drama where schizophrenia has not only proved a recurring thematic preoccupation, but has persistently been utilized as a paradigmatic case for illustrating the limits of social-cultural, moral, existential, and psychological crisis. “Sublimity”, however, instigates further complications and problems by mystifying the nature and experience of schizophrenia rather than contributing to the development of a clearer account of it. A conspicuous case of the critique of this treatment of schizophrenia in terms of the “sublime” can be found in Penhall’s two dramatic works: Some Voices (1993) and Blue/Orange (2000). What distinguishes Penhall’s treatment of schizophrenia, this essay will argue, are two salient features: its method (the critical-clinical) and its simultaneously symptomatic and symptomatological treatment of schizophrenia. What further distinguishes Penhall’s critical depiction of schizophrenia is his insistence that the cultural is as crucial as the clinical in the experience, representation, and perception of schizophrenia. This is attested by his acute inclusion of such crucial issues as race, class, discourse, and gender as highly determining elements in the experience, perceptions and diagnosis of schizophrenia. Taking Blue/Orange as its focal point, and conjoining a critical-clinical approach (Deleuze) with the insights derived from psychoanalysis as well as cultural anthropology and sociology of race, this essay will demonstrate how Blue-Orange presents a critical-clinical account of the limits of various discursively-determined treatments of schizophrenia (including both psychiatry and anti-psychiatry) thereby accentuating the necessity of developing more holistic method in the cultural and clinical treatments of schizophrenia.

Text
Displaced Metaphor as Madness - Author's Original
Restricted to Repository staff only until 20 May 2024.
Request a copy

More information

Accepted/In Press date: 21 November 2021

Identifiers

Local EPrints ID: 449450
URI: http://eprints.soton.ac.uk/id/eprint/449450
ISSN: 1744-4217
PURE UUID: 9aa47b6a-7272-46a1-9278-631406cbbaea

Catalogue record

Date deposited: 01 Jun 2021 16:31
Last modified: 16 Mar 2024 12:26

Export record

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×