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Do the Monster Mash: Universal’s “Classic Monsters” and the Industrialization of the Gothic Transmedia Franchise

Do the Monster Mash: Universal’s “Classic Monsters” and the Industrialization of the Gothic Transmedia Franchise
Do the Monster Mash: Universal’s “Classic Monsters” and the Industrialization of the Gothic Transmedia Franchise
gothic, remix, mashup, transmedia, adaptation, reboot, copyright, early cinema, monsters
3-20
Lexington Books
de Bruin-Molé, Megen
50c0d19d-e9c9-4ad4-9b14-8645139e1ef9
Neill, Natalie
de Bruin-Molé, Megen
50c0d19d-e9c9-4ad4-9b14-8645139e1ef9
Neill, Natalie

de Bruin-Molé, Megen (2022) Do the Monster Mash: Universal’s “Classic Monsters” and the Industrialization of the Gothic Transmedia Franchise. In, Neill, Natalie (ed.) Gothic Mash-Ups: Hybridity, Appropriation, and Intertextuality. (Lexington Books Horror Studies) Lexington Books, pp. 3-20.

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Accepted/In Press date: 20 July 2021
Published date: February 2022
Keywords: gothic, remix, mashup, transmedia, adaptation, reboot, copyright, early cinema, monsters

Identifiers

Local EPrints ID: 450475
URI: http://eprints.soton.ac.uk/id/eprint/450475
PURE UUID: f8a09df0-2947-4a67-a0cc-7f24dd13edcf
ORCID for Megen de Bruin-Molé: ORCID iD orcid.org/0000-0003-4243-1995

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Date deposited: 29 Jul 2021 16:31
Last modified: 21 Mar 2024 02:57

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Contributors

Editor: Natalie Neill

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