Do the Monster Mash: Universal’s “Classic Monsters” and the Industrialization of the Gothic Transmedia Franchise
Do the Monster Mash: Universal’s “Classic Monsters” and the Industrialization of the Gothic Transmedia Franchise
gothic, remix, mashup, transmedia, adaptation, reboot, copyright, early cinema, monsters
3-20
de Bruin-Molé, Megen
50c0d19d-e9c9-4ad4-9b14-8645139e1ef9
February 2022
de Bruin-Molé, Megen
50c0d19d-e9c9-4ad4-9b14-8645139e1ef9
de Bruin-Molé, Megen
(2022)
Do the Monster Mash: Universal’s “Classic Monsters” and the Industrialization of the Gothic Transmedia Franchise.
In,
Neill, Natalie
(ed.)
Gothic Mash-Ups: Hybridity, Appropriation, and Intertextuality.
(Lexington Books Horror Studies)
Lexington Books, .
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Neill_9781793636577 (notes MdBM)
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Accepted/In Press date: 20 July 2021
Published date: February 2022
Keywords:
gothic, remix, mashup, transmedia, adaptation, reboot, copyright, early cinema, monsters
Identifiers
Local EPrints ID: 450475
URI: http://eprints.soton.ac.uk/id/eprint/450475
PURE UUID: f8a09df0-2947-4a67-a0cc-7f24dd13edcf
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Date deposited: 29 Jul 2021 16:31
Last modified: 21 Mar 2024 02:57
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Contributors
Editor:
Natalie Neill
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