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‘The perfection of his taste’: Ralph Bernal, collecting and slave-ownership in nineteenth-century Britain

‘The perfection of his taste’: Ralph Bernal, collecting and slave-ownership in nineteenth-century Britain
‘The perfection of his taste’: Ralph Bernal, collecting and slave-ownership in nineteenth-century Britain
Ralph Bernal was one of the most eminent collectors of his age, distinguished ‘by the perfection of his taste, as well as the extent of his knowledge’. He also owned three Jamaican plantations and enslaved over 500 people. This article will interrogate the complex ways that enslavement, race, culture and taste were intertwined in nineteenth-century Britain. It will argue that we should not uncritically celebrate ‘the connoisseur’ without interrogating the power relations that shaped how their collections, and reputations, were constructed. We cannot understand Bernal’s collection, or the ‘perfection’ of his taste, without acknowledging the violence embedded within it.
Slavery, collecting, decorative arts, slave-ownership, taste
1478-0038
19-37
Young, Hannah
7962d0f1-ffbc-4973-b65d-64bd9dde3477
Young, Hannah
7962d0f1-ffbc-4973-b65d-64bd9dde3477

Young, Hannah (2022) ‘The perfection of his taste’: Ralph Bernal, collecting and slave-ownership in nineteenth-century Britain. Cultural and Social History, 19 (1), 19-37. (doi:10.1080/14780038.2022.2034587).

Record type: Article

Abstract

Ralph Bernal was one of the most eminent collectors of his age, distinguished ‘by the perfection of his taste, as well as the extent of his knowledge’. He also owned three Jamaican plantations and enslaved over 500 people. This article will interrogate the complex ways that enslavement, race, culture and taste were intertwined in nineteenth-century Britain. It will argue that we should not uncritically celebrate ‘the connoisseur’ without interrogating the power relations that shaped how their collections, and reputations, were constructed. We cannot understand Bernal’s collection, or the ‘perfection’ of his taste, without acknowledging the violence embedded within it.

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Accepted/In Press date: 24 January 2022
Published date: 22 February 2022
Additional Information: Publisher Copyright: © 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.
Keywords: Slavery, collecting, decorative arts, slave-ownership, taste

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Local EPrints ID: 456467
URI: http://eprints.soton.ac.uk/id/eprint/456467
ISSN: 1478-0038
PURE UUID: 26df61ca-d001-476d-bd98-bd2aafc20123

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Date deposited: 03 May 2022 16:38
Last modified: 16 Mar 2024 16:45

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