The University of Southampton
University of Southampton Institutional Repository

Boredom and reinvention for the female gaze within personal fashion blogs

Boredom and reinvention for the female gaze within personal fashion blogs
Boredom and reinvention for the female gaze within personal fashion blogs
Focusing on the work of three prolific personal fashion bloggers, themanrepeller (Leandra Medine), stylebubble (Susie Lau) and thestylerookie (Tavi Gevinson), within the context of metamodernism, this chapter will explore how the genre of personal fashion blogs are part of both the cause and potential solution to the characteristics of metamodernism. Boredom (with reference to Phillips’s definition of it being connected to ‘a wish for a desire’ (1993, p. 71)), reflecting the pace of Web 2.0, twenty-first-century fashion production and the emotional response to the pendulum swings of metamodernism is explored as a motivating state (supported by enabling technology) that has facilitated the activity of frequent reinvention by young western personal fashion bloggers in terms of the identity they express in the public online domain. This demonstration of fluctuating and flexible identity is manifested in using social media to control and export self-produced images that are constructed for the female rather than male gaze (Rocamora, 2011, p. 410).
personal style blog, feminism, metamodernism, identity, media
Pages 66-92
Palgrave Macmillan
Anyan, Jennifer
cf8e85e9-7f93-44e8-b8fd-a5c0e3a740e5
Nally, Claire
Smith, Angela
Anyan, Jennifer
cf8e85e9-7f93-44e8-b8fd-a5c0e3a740e5
Nally, Claire
Smith, Angela

Anyan, Jennifer (2015) Boredom and reinvention for the female gaze within personal fashion blogs. In, Nally, Claire and Smith, Angela (eds.) Twenty-first century feminism: Forming and performing femininity. London. Palgrave Macmillan, Pages 66-92. (doi:10.1057/9781137492852_4).

Record type: Book Section

Abstract

Focusing on the work of three prolific personal fashion bloggers, themanrepeller (Leandra Medine), stylebubble (Susie Lau) and thestylerookie (Tavi Gevinson), within the context of metamodernism, this chapter will explore how the genre of personal fashion blogs are part of both the cause and potential solution to the characteristics of metamodernism. Boredom (with reference to Phillips’s definition of it being connected to ‘a wish for a desire’ (1993, p. 71)), reflecting the pace of Web 2.0, twenty-first-century fashion production and the emotional response to the pendulum swings of metamodernism is explored as a motivating state (supported by enabling technology) that has facilitated the activity of frequent reinvention by young western personal fashion bloggers in terms of the identity they express in the public online domain. This demonstration of fluctuating and flexible identity is manifested in using social media to control and export self-produced images that are constructed for the female rather than male gaze (Rocamora, 2011, p. 410).

This record has no associated files available for download.

More information

Published date: 2015
Additional Information: © 2015 Jennifer Anyan
Keywords: personal style blog, feminism, metamodernism, identity, media

Identifiers

Local EPrints ID: 457656
URI: http://eprints.soton.ac.uk/id/eprint/457656
PURE UUID: 2b92992a-818b-4aa0-b39b-08d8fa73bb18

Catalogue record

Date deposited: 14 Jun 2022 16:58
Last modified: 16 Mar 2024 17:56

Export record

Altmetrics

Contributors

Author: Jennifer Anyan
Editor: Claire Nally
Editor: Angela Smith

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×