The University of Southampton
University of Southampton Institutional Repository

Analysing musical recordings : an empirical approach

Analysing musical recordings : an empirical approach
Analysing musical recordings : an empirical approach

The study of recordings using scientific performance data is a relatively new field of musicological research; most empirical studies of performance have so far been conducted in the field of music psychology. In this thesis, I address some of the musical issues involved in the study of the scientific measurements of performance, especially measurements of performance timing. Of primary concern is the development of methods for analysing empirical data without marginalising performer's descriptions of performance, the development of an interpretative approach which occupies a middle ground between psychological and musicological analyses of performance, and the development of 'bottom-up' or inductive styles of performance analysis.

After a literature review contextualising these ideas, I present a number of analytical case-studies based on samples of data from a computer timing program, in particular data from recordings of Beethoven's Third Symphony and Debussy's Children's Corner. Using specific examples, these studies examine the general theoretical issues raised in the Introduction. Finally, I suggest some directions for future musicological research using empirical data.

University of Southampton
Martin, Sarah
Martin, Sarah

Martin, Sarah (1996) Analysing musical recordings : an empirical approach. University of Southampton, Doctoral Thesis.

Record type: Thesis (Doctoral)

Abstract

The study of recordings using scientific performance data is a relatively new field of musicological research; most empirical studies of performance have so far been conducted in the field of music psychology. In this thesis, I address some of the musical issues involved in the study of the scientific measurements of performance, especially measurements of performance timing. Of primary concern is the development of methods for analysing empirical data without marginalising performer's descriptions of performance, the development of an interpretative approach which occupies a middle ground between psychological and musicological analyses of performance, and the development of 'bottom-up' or inductive styles of performance analysis.

After a literature review contextualising these ideas, I present a number of analytical case-studies based on samples of data from a computer timing program, in particular data from recordings of Beethoven's Third Symphony and Debussy's Children's Corner. Using specific examples, these studies examine the general theoretical issues raised in the Introduction. Finally, I suggest some directions for future musicological research using empirical data.

This record has no associated files available for download.

More information

Published date: 1996

Identifiers

Local EPrints ID: 462942
URI: http://eprints.soton.ac.uk/id/eprint/462942
PURE UUID: 051f1ab9-7753-44e5-9c81-58b9231151e1

Catalogue record

Date deposited: 04 Jul 2022 20:29
Last modified: 04 Jul 2022 20:29

Export record

Contributors

Author: Sarah Martin

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×