Reflections of human beings : the Aurignacian art of central Europe
Reflections of human beings : the Aurignacian art of central Europe
The aim of this work is to explore an interpretation of the Aurignacian art of central Europe that is explicitly based on a critical anthropological and sociological reflection of the subject. Within a separate social field in society, artistic activity is only a relatively recent phenomenon of modernity and a product of specific historical circumstances. Past research has often applied this understanding of Palaeolithic representations and has to large extent failed to connect artistic objects with social processes in the Palaeolithic. In contrast, this work explicitly understands Palaeolithic art (and any material expression of human agency) as products of their particular social conditions. Consequently, a diachronic perspective is abandoned in favor of a synchronic approach in which representations are related to inferred contemporary social processes. A social theoretical framework is proposed that puts forward a distinction of material structures, practice and ideology, which have to be taken into account as equal causal factors in an understanding of any products of human practices.
These analytical distinctions are applied to a specific body of Palaeolithic representational objects and their archaeological contexts. These are mainly sixteen pieces from three cave sites in the southwest German Jura mountains. All these objects can be ascribed to a contemporary context within an established Aurignacian occupation in central Europe around ca. 32,000 years BP. The analysis shows that the objects were produced within relatively informal contexts. Each object was apparently attached to individual human beings and represents an individual concern with the communal symbolic and/or social order. In this ideological structure animals and their behaviours were apparently metaphorically linked to ideas about human and gender-specific actions. It is therefore argued that the Aurignacian statuettes not only allow an unique insight into an ideological structure of abstract meanings in a Palaeolithic context, but also into the ways individual persons related to it.
University of Southampton
Porr, Martin
5e497b57-1778-4f2e-a5bf-4cef75f75cb9
2002
Porr, Martin
5e497b57-1778-4f2e-a5bf-4cef75f75cb9
Porr, Martin
(2002)
Reflections of human beings : the Aurignacian art of central Europe.
University of Southampton, Doctoral Thesis.
Record type:
Thesis
(Doctoral)
Abstract
The aim of this work is to explore an interpretation of the Aurignacian art of central Europe that is explicitly based on a critical anthropological and sociological reflection of the subject. Within a separate social field in society, artistic activity is only a relatively recent phenomenon of modernity and a product of specific historical circumstances. Past research has often applied this understanding of Palaeolithic representations and has to large extent failed to connect artistic objects with social processes in the Palaeolithic. In contrast, this work explicitly understands Palaeolithic art (and any material expression of human agency) as products of their particular social conditions. Consequently, a diachronic perspective is abandoned in favor of a synchronic approach in which representations are related to inferred contemporary social processes. A social theoretical framework is proposed that puts forward a distinction of material structures, practice and ideology, which have to be taken into account as equal causal factors in an understanding of any products of human practices.
These analytical distinctions are applied to a specific body of Palaeolithic representational objects and their archaeological contexts. These are mainly sixteen pieces from three cave sites in the southwest German Jura mountains. All these objects can be ascribed to a contemporary context within an established Aurignacian occupation in central Europe around ca. 32,000 years BP. The analysis shows that the objects were produced within relatively informal contexts. Each object was apparently attached to individual human beings and represents an individual concern with the communal symbolic and/or social order. In this ideological structure animals and their behaviours were apparently metaphorically linked to ideas about human and gender-specific actions. It is therefore argued that the Aurignacian statuettes not only allow an unique insight into an ideological structure of abstract meanings in a Palaeolithic context, but also into the ways individual persons related to it.
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Published date: 2002
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Local EPrints ID: 464697
URI: http://eprints.soton.ac.uk/id/eprint/464697
PURE UUID: 9b65fa19-49b9-4816-af0c-bdffa3b05494
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Date deposited: 04 Jul 2022 23:57
Last modified: 04 Jul 2022 23:57
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Author:
Martin Porr
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