White, Mervyn Henry Mark (2003) The philosophical context of British Modernist painting 1910 - 1914 : an exploration of philosophy's protean presence within the theoretical writings of Roger Fry, Clive Bell and Thomas Ernest Hulme and their painterly milieu. University of Southampton, Doctoral Thesis.
Record type:
Thesis
(Doctoral)
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Published date: 2003
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Local EPrints ID: 465345
URI: http://eprints.soton.ac.uk/id/eprint/465345
PURE UUID: 123150c6-a006-47a1-93e9-44b76b220369
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Date deposited: 05 Jul 2022 00:38
Last modified: 05 Jul 2022 00:38
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Author:
Mervyn Henry Mark White
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