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Machaut's formes fixes : towards a nidus for structure

Machaut's formes fixes : towards a nidus for structure
Machaut's formes fixes : towards a nidus for structure

The question of how Machaut's polyphonic songs were fashioned has long occupied scholars. In the absence of a pre-existent tenor, differing perspectives have been offered as to which voice may constitute the tonal and directional prime.

The thesis explores the progress of sonority in Machaut's formes fixes, considering, in addition to perceived linear viability, how individual lines might be mutually informative and suggesting a mode of composition in which the vertical dynamic might resolve problematic melodic behaviour.

In seeking evidence for intervallic, or harmonic progression, a systematic survey of his polyphonic repertory has been undertaken, employing a syncretic analytical model that assumes no tonal paradigms. By these means, a thorough appraisal of cantus behaviour may result, uncovering structural norms for both intra- and inter-genre comparison and confronting exceptions.

University of Southampton
Connor, Kimberly Jane
7c0802e5-bd18-4202-9bdc-be38c3404efd
Connor, Kimberly Jane
7c0802e5-bd18-4202-9bdc-be38c3404efd

Connor, Kimberly Jane (1999) Machaut's formes fixes : towards a nidus for structure. University of Southampton, Doctoral Thesis.

Record type: Thesis (Doctoral)

Abstract

The question of how Machaut's polyphonic songs were fashioned has long occupied scholars. In the absence of a pre-existent tenor, differing perspectives have been offered as to which voice may constitute the tonal and directional prime.

The thesis explores the progress of sonority in Machaut's formes fixes, considering, in addition to perceived linear viability, how individual lines might be mutually informative and suggesting a mode of composition in which the vertical dynamic might resolve problematic melodic behaviour.

In seeking evidence for intervallic, or harmonic progression, a systematic survey of his polyphonic repertory has been undertaken, employing a syncretic analytical model that assumes no tonal paradigms. By these means, a thorough appraisal of cantus behaviour may result, uncovering structural norms for both intra- and inter-genre comparison and confronting exceptions.

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Published date: 1999

Identifiers

Local EPrints ID: 467025
URI: http://eprints.soton.ac.uk/id/eprint/467025
PURE UUID: 37e5b425-d009-4bb2-959b-fcdefe4c3d3c

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Date deposited: 05 Jul 2022 08:09
Last modified: 16 Mar 2024 20:56

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Author: Kimberly Jane Connor

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