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“Chugging” from the apron: Victorian liberalism, ethical economies and neo-liberal entrepreneurialism in Boucicault’s The poor of New York /The streets of London

“Chugging” from the apron: Victorian liberalism, ethical economies and neo-liberal entrepreneurialism in Boucicault’s The poor of New York /The streets of London
“Chugging” from the apron: Victorian liberalism, ethical economies and neo-liberal entrepreneurialism in Boucicault’s The poor of New York /The streets of London
LUCY: (To the public). It is true! Have the sufferings we depicted in this mimic scene touched your hearts, and caused a tear of sympathy to fill your eyes? If so, extend to us your hands – no, not to us – but when you leave this place, as you return to your homes, should you see some poor creatures by the wayside, extend your hands to them and the blessings that will follow you on your way will be the most grateful tribute you can pay to the POOR OF _____.

These closing lines of Boucicault’s The Poor of New York – adapted for the London stage as The Streets of London – show the playwright’s attempt at altruistic uplift and its value transmission both abroad and then at home. Boucicault himself admitted that he wanted to excite the mind of his spectators with “a sympathy for fellow creatures suffering their fate” but as this paper discusses, this was not his sole reason for charitably ‘mugging’ his audience – a practice that, in modern parlance, has acquired the epithet “chugging”. This tactic represented the circulation of a different kind of currency: one in which his desire to be taken seriously, and the desire for his work to be seen as more highbrow; more educative, sat side by side with his talent and ability to turn on a dime in order to make one.

This paper examines Boucicault’s ethical consideration of the economy as in the above and the hidden economy of his own entrepreneurialism. It approaches Boucicault’s play as a critique on Victorian financial and commercial practices in the City and as a performance of the social impacts of Victorian Liberalism and economics on class.
Popular Stage, Performance History, Neoliberalism, Social Equity, Class
Millette, Holly-Gale
909906ff-426b-47ab-a71a-5788ea36c213
Millette, Holly-Gale
909906ff-426b-47ab-a71a-5788ea36c213

Millette, Holly-Gale (2012) “Chugging” from the apron: Victorian liberalism, ethical economies and neo-liberal entrepreneurialism in Boucicault’s The poor of New York /The streets of London. Muck and Brass: Money and Finance in Victorian Britain: British Association of Victorian Studies Colloqium, University of Leeds, Leeds, United Kingdom. 10 Nov 2012. (Submitted)

Record type: Conference or Workshop Item (Paper)

Abstract

LUCY: (To the public). It is true! Have the sufferings we depicted in this mimic scene touched your hearts, and caused a tear of sympathy to fill your eyes? If so, extend to us your hands – no, not to us – but when you leave this place, as you return to your homes, should you see some poor creatures by the wayside, extend your hands to them and the blessings that will follow you on your way will be the most grateful tribute you can pay to the POOR OF _____.

These closing lines of Boucicault’s The Poor of New York – adapted for the London stage as The Streets of London – show the playwright’s attempt at altruistic uplift and its value transmission both abroad and then at home. Boucicault himself admitted that he wanted to excite the mind of his spectators with “a sympathy for fellow creatures suffering their fate” but as this paper discusses, this was not his sole reason for charitably ‘mugging’ his audience – a practice that, in modern parlance, has acquired the epithet “chugging”. This tactic represented the circulation of a different kind of currency: one in which his desire to be taken seriously, and the desire for his work to be seen as more highbrow; more educative, sat side by side with his talent and ability to turn on a dime in order to make one.

This paper examines Boucicault’s ethical consideration of the economy as in the above and the hidden economy of his own entrepreneurialism. It approaches Boucicault’s play as a critique on Victorian financial and commercial practices in the City and as a performance of the social impacts of Victorian Liberalism and economics on class.

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More information

Submitted date: 10 November 2012
Venue - Dates: Muck and Brass: Money and Finance in Victorian Britain: British Association of Victorian Studies Colloqium, University of Leeds, Leeds, United Kingdom, 2012-11-10 - 2012-11-10
Keywords: Popular Stage, Performance History, Neoliberalism, Social Equity, Class

Identifiers

Local EPrints ID: 468000
URI: http://eprints.soton.ac.uk/id/eprint/468000
PURE UUID: a7552fae-013f-4ab0-8c76-5deb5adc966f
ORCID for Holly-Gale Millette: ORCID iD orcid.org/0000-0003-4731-3138

Catalogue record

Date deposited: 27 Jul 2022 17:03
Last modified: 28 Jul 2022 01:46

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