Temporal Frankensteins and legacy images
Temporal Frankensteins and legacy images
Digital images are produced by humans and autonomous devices everywhere and, increasingly, ‘everywhen’. Legacy image data, like Mary Shelley’s infamous monster, can be stitched together as either smooth and eloquent, or jagged and abominable, supplementary combinations from various times to create a thought-provoking and/or repulsive Frankensteinian assemblage composed, like most archaeological assemblages, of messy temporal components combining, as Gavin Lucas sums it up, as “a mixture of things from different times and with different life histories but which co-exist here and now”. In this paper, we take a subversive Virtual Art/Archaeology approach, adopting Jacques Derrida’s notion of the ‘supplement’, to explore the temporality of archaeological legacy images, introducing the concept of timesheds or temporal brackets within aggregated images. The focus of this temporally blurred, and time-glitched, study is the World Heritage Site of the Neolithic to Common Era henge monument of Avebury, UK (United Kingdom).
archaeology, art, avebury, diffractive images, pluritemporality, supplementarity, timesheds
244-266
Dawson, Ian
3b598f16-b350-4fbc-89aa-ef92eba6abfa
Jones, Andrew Meirion
3e8becff-0d46-42eb-85db-2dd4f07e92a3
Minkin, Louisa
bf05facd-6187-409e-8899-da02c7cd5181
Reilly, Paul
b6f40815-aa39-4790-afc4-1f793c4bd151
11 May 2022
Dawson, Ian
3b598f16-b350-4fbc-89aa-ef92eba6abfa
Jones, Andrew Meirion
3e8becff-0d46-42eb-85db-2dd4f07e92a3
Minkin, Louisa
bf05facd-6187-409e-8899-da02c7cd5181
Reilly, Paul
b6f40815-aa39-4790-afc4-1f793c4bd151
Dawson, Ian, Jones, Andrew Meirion, Minkin, Louisa and Reilly, Paul
(2022)
Temporal Frankensteins and legacy images.
digital, 2 (2), .
(doi:10.3390/digital2020015).
Abstract
Digital images are produced by humans and autonomous devices everywhere and, increasingly, ‘everywhen’. Legacy image data, like Mary Shelley’s infamous monster, can be stitched together as either smooth and eloquent, or jagged and abominable, supplementary combinations from various times to create a thought-provoking and/or repulsive Frankensteinian assemblage composed, like most archaeological assemblages, of messy temporal components combining, as Gavin Lucas sums it up, as “a mixture of things from different times and with different life histories but which co-exist here and now”. In this paper, we take a subversive Virtual Art/Archaeology approach, adopting Jacques Derrida’s notion of the ‘supplement’, to explore the temporality of archaeological legacy images, introducing the concept of timesheds or temporal brackets within aggregated images. The focus of this temporally blurred, and time-glitched, study is the World Heritage Site of the Neolithic to Common Era henge monument of Avebury, UK (United Kingdom).
Text
digital-02-00015-v2
- Version of Record
More information
Accepted/In Press date: 4 May 2022
Published date: 11 May 2022
Keywords:
archaeology, art, avebury, diffractive images, pluritemporality, supplementarity, timesheds
Identifiers
Local EPrints ID: 468440
URI: http://eprints.soton.ac.uk/id/eprint/468440
ISSN: 2673-6470
PURE UUID: 53b5b460-3fc8-411d-a40d-949447c641d7
Catalogue record
Date deposited: 15 Aug 2022 16:47
Last modified: 17 Apr 2024 01:54
Export record
Altmetrics
Contributors
Author:
Louisa Minkin
Download statistics
Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.
View more statistics
