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Towards a virtual art archaeology: reinventing the assemblage and its setting

Towards a virtual art archaeology: reinventing the assemblage and its setting
Towards a virtual art archaeology: reinventing the assemblage and its setting
Increasingly, vast blankets of imaging are "recording" the archaeological landscape and museum collections in fine detail on a planetary scale. But who are these industrialised scanning processes aimed at? No human, or even an army of humans, could possibly look at, let alone analyse even a small percentage of the enormous volumes of virtual "image glut" spawned each day. Instead, other machines will analyse these images. What do they see? This paper seeks to inject some diffractive and intentionally disruptive and art/archaeological perspectives into how archaeological artefacts and assemblages are represented, specifically with regards to how the setting and location of their places of discovery are conveyed. The widely available machine intelligence technique of Style Transfer will be harnessed to reconceptualise the presentation of artefacts and assemblages.
Dawson, Ian
3b598f16-b350-4fbc-89aa-ef92eba6abfa
Reilly, Paul
b6f40815-aa39-4790-afc4-1f793c4bd151
Dawson, Ian
3b598f16-b350-4fbc-89aa-ef92eba6abfa
Reilly, Paul
b6f40815-aa39-4790-afc4-1f793c4bd151

Dawson, Ian and Reilly, Paul (2021) Towards a virtual art archaeology: reinventing the assemblage and its setting. Virtual Archaeology Krasyonarsk 2021: Revealing the past, Enriching the present and Shaping the Future, Krasnoyarsk, Krasnoyarsk, Russian Federation. 20 - 21 Sep 2021.

Record type: Conference or Workshop Item (Paper)

Abstract

Increasingly, vast blankets of imaging are "recording" the archaeological landscape and museum collections in fine detail on a planetary scale. But who are these industrialised scanning processes aimed at? No human, or even an army of humans, could possibly look at, let alone analyse even a small percentage of the enormous volumes of virtual "image glut" spawned each day. Instead, other machines will analyse these images. What do they see? This paper seeks to inject some diffractive and intentionally disruptive and art/archaeological perspectives into how archaeological artefacts and assemblages are represented, specifically with regards to how the setting and location of their places of discovery are conveyed. The widely available machine intelligence technique of Style Transfer will be harnessed to reconceptualise the presentation of artefacts and assemblages.

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More information

Published date: 20 September 2021
Additional Information: Keynote presentation
Venue - Dates: Virtual Archaeology Krasyonarsk 2021: Revealing the past, Enriching the present and Shaping the Future, Krasnoyarsk, Krasnoyarsk, Russian Federation, 2021-09-20 - 2021-09-21

Identifiers

Local EPrints ID: 468441
URI: http://eprints.soton.ac.uk/id/eprint/468441
PURE UUID: 590aa647-67b0-4926-8f2d-13e7be5cf5ce
ORCID for Ian Dawson: ORCID iD orcid.org/0000-0002-3695-8582
ORCID for Paul Reilly: ORCID iD orcid.org/0000-0002-8067-8991

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Date deposited: 15 Aug 2022 16:48
Last modified: 17 Mar 2024 03:51

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