Temporal ripples in art/archaeology images
Temporal ripples in art/archaeology images
This chapter explores the multiple temporalities and materialities of art/archaeol- ogy. The authors explore what happens when they diffract art and archaeology practices through one another in the context of voids, those (no)places where time, space and matter are troubled.
The chapter interlaces the concept of diffraction through the medium of Reflective Transformation Imaging (RTI) and show how the composite nature of art/archaeological assemblages and computational photographic practices, such as RTI, do not make cuts into duration and stabilize temporal flows, nor do they produce images as a crystallized form of time past that has ful-filled itself. Rather, RTIs can be (de)constructed to reveal stimulating space-time diffraction patterns, in the form of (im)material-temporal ripples and gestural hauntings, that productively interfere with familiar presentations of art, archaeology, and art/archaeology assemblages as somehow frozen and isolated for posterity in galleries, books, and journals as completed moments.
97-119
Callery, Simon
9f6a886a-d7fd-4c3e-9f9b-3a301d78d0ac
Dawson, Ian
3b598f16-b350-4fbc-89aa-ef92eba6abfa
Reilly, Paul
b6f40815-aa39-4790-afc4-1f793c4bd151
28 December 2021
Callery, Simon
9f6a886a-d7fd-4c3e-9f9b-3a301d78d0ac
Dawson, Ian
3b598f16-b350-4fbc-89aa-ef92eba6abfa
Reilly, Paul
b6f40815-aa39-4790-afc4-1f793c4bd151
Callery, Simon, Dawson, Ian and Reilly, Paul
(2021)
Temporal ripples in art/archaeology images.
In,
Dawson, Ian, Meirion Jones, Andrew, Minkin, Louisa and Reilly, Paul
(eds.)
Diffracting Digital Images: Archaeology, Art Practice and Cultural Heritage.
UK and USA.
Routledge, .
Record type:
Book Section
Abstract
This chapter explores the multiple temporalities and materialities of art/archaeol- ogy. The authors explore what happens when they diffract art and archaeology practices through one another in the context of voids, those (no)places where time, space and matter are troubled.
The chapter interlaces the concept of diffraction through the medium of Reflective Transformation Imaging (RTI) and show how the composite nature of art/archaeological assemblages and computational photographic practices, such as RTI, do not make cuts into duration and stabilize temporal flows, nor do they produce images as a crystallized form of time past that has ful-filled itself. Rather, RTIs can be (de)constructed to reveal stimulating space-time diffraction patterns, in the form of (im)material-temporal ripples and gestural hauntings, that productively interfere with familiar presentations of art, archaeology, and art/archaeology assemblages as somehow frozen and isolated for posterity in galleries, books, and journals as completed moments.
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Published date: 28 December 2021
Identifiers
Local EPrints ID: 468469
URI: http://eprints.soton.ac.uk/id/eprint/468469
PURE UUID: 8667bc3e-0b2a-462e-bb2a-f217e7549e32
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Date deposited: 16 Aug 2022 16:36
Last modified: 17 Mar 2024 03:51
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Contributors
Author:
Simon Callery
Editor:
Ian Dawson
Editor:
Andrew Meirion Jones
Editor:
Louisa Minkin
Editor:
Paul Reilly
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