The signs and codes of petromodernity: Genres of the oil encounter in selected American fiction 1927-2010
The signs and codes of petromodernity: Genres of the oil encounter in selected American fiction 1927-2010
This thesis considers how a selection of twentieth century and contemporary American literary fiction contributes to a wider understanding of the relationship between discourses of masculinity, race, and class, and the boom-and-bust cycles of oil extraction, speculation, and abstraction. Through a critical engagement with the thought of Stephanie LeMenager, Fredric Jameson, Andreas Malm, and Imre Szeman, it traces the different ways in which the literary fictions of Teddy Wayne, Winifred Sanford, Attica Locke, Raymond Chandler, and Upton Sinclair make use of generic conventions and literary modes such as the bildungsroman, American regionalist literature, and detective fiction to articulate the gendered, racialized, and class dynamics of oil extraction, consumption, and abstraction at particular moments in time. While the thesis is organised chronologically, it also traces the uneven combination and recurrence of certain generic modes across the twentieth and early twenty-first centuries in ways that seem to complicate broad attempts to align genre and literary history. The recurrence of such generic modes is significant, I suggest, because it can help to illuminate the ways in which the formal conventions of fiction mediate the temporal cycles of oil extraction and speculation in particular times and spaces, and the specific social antagonisms that they set in motion. By foregrounding the energy unconscious in twentieth- and early twenty-first century American culture, in other words, the generic conventions of these literary fictions encourage readers to identify and question the predominant cultural norms of space, energy and freedom that underpin the ‘common sense’ understanding of petromodernity, and the dominant idea that oil is an energy form we cannot do
without.
University of Southampton
Carter, Dan
d86f104d-5b09-465d-a603-600166bcda9f
September 2022
Carter, Dan
d86f104d-5b09-465d-a603-600166bcda9f
Morton, Stephen
3200c49e-fcfa-4088-9168-1d6998266ec1
Primorac, Ranka
8e175d18-8ea8-4228-8637-671427202b10
Carter, Dan
(2022)
The signs and codes of petromodernity: Genres of the oil encounter in selected American fiction 1927-2010.
University of Southampton, Doctoral Thesis, 276pp.
Record type:
Thesis
(Doctoral)
Abstract
This thesis considers how a selection of twentieth century and contemporary American literary fiction contributes to a wider understanding of the relationship between discourses of masculinity, race, and class, and the boom-and-bust cycles of oil extraction, speculation, and abstraction. Through a critical engagement with the thought of Stephanie LeMenager, Fredric Jameson, Andreas Malm, and Imre Szeman, it traces the different ways in which the literary fictions of Teddy Wayne, Winifred Sanford, Attica Locke, Raymond Chandler, and Upton Sinclair make use of generic conventions and literary modes such as the bildungsroman, American regionalist literature, and detective fiction to articulate the gendered, racialized, and class dynamics of oil extraction, consumption, and abstraction at particular moments in time. While the thesis is organised chronologically, it also traces the uneven combination and recurrence of certain generic modes across the twentieth and early twenty-first centuries in ways that seem to complicate broad attempts to align genre and literary history. The recurrence of such generic modes is significant, I suggest, because it can help to illuminate the ways in which the formal conventions of fiction mediate the temporal cycles of oil extraction and speculation in particular times and spaces, and the specific social antagonisms that they set in motion. By foregrounding the energy unconscious in twentieth- and early twenty-first century American culture, in other words, the generic conventions of these literary fictions encourage readers to identify and question the predominant cultural norms of space, energy and freedom that underpin the ‘common sense’ understanding of petromodernity, and the dominant idea that oil is an energy form we cannot do
without.
Text
Dan Carter FINAL Thesis_Library Copy_2022
- Version of Record
Text
Final (Signature) Permission to deposit thesis - form
Restricted to Repository staff only
More information
Submitted date: September 2021
Published date: September 2022
Identifiers
Local EPrints ID: 469166
URI: http://eprints.soton.ac.uk/id/eprint/469166
PURE UUID: bf0d9d59-20ef-4a87-b765-0454495da981
Catalogue record
Date deposited: 08 Sep 2022 17:05
Last modified: 27 Jul 2024 01:39
Export record
Contributors
Author:
Dan Carter
Download statistics
Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.
View more statistics